Sometime ago on Steve Guttenberg’s “Audiophiliac” vlog he had a prominent guest audiologist who catered to a clientele that were in the music industry, musicians, engineers, masters, etc. for custom IEM’s. She had some interesting observations to share. She said audiological testing results indicate that musicians hearing was more likely to be compromised than non musicians. That the test results can usually indicate what instruments the musician tested played. And that classical musicians hearing tended to be the more compromised than other genres (she postulated that that might be due to the additional increased practice time of classical musicians).
I don’t play, but know many musicians and have attended many rehearsals and performances. Some music professionals asked for my help in buying audio systems. Usually they buy good value oriented budget high end systems that can play back the particular instrument they play especially well, violinist choose differently than trombonist.
I have the feeling that musicians tend to be more interesting in the construct of the music and how they can fit into it, than in the pure sonics of it. What they hear on the bandstand is very different than what the audience hears in their seats.
I don’t play, but know many musicians and have attended many rehearsals and performances. Some music professionals asked for my help in buying audio systems. Usually they buy good value oriented budget high end systems that can play back the particular instrument they play especially well, violinist choose differently than trombonist.
I have the feeling that musicians tend to be more interesting in the construct of the music and how they can fit into it, than in the pure sonics of it. What they hear on the bandstand is very different than what the audience hears in their seats.