Yoyo...It's not engineers but the producers who have the last call on the sound of a recording, so the 2-4k range issue isn't a thing for engineers as it's the producers and mastering technicians who would notice anything like that during final mixdown and mastering. Also, the range of hearing loss is generally in higher frequencies than the 2-4k you claim...more often 10k and above. So the "few recordings" where you hear the supposed issue is something else...ear wax buildup maybe? My comment about musicians and money is based on fact and certainly NOT a generalization, as I'm actively professionally involved in the music biz and have been since the late sixties.
What stereo equipment do respected musicians listen to?
With all the debate on this piece of equipment is better than that, it got me to thinking… What setup do well respected musicians have, e.g. amps, speakers, etc. What does Wynton Marsalis listen to, for example? Just curious and thought it might be a fun topic.