What speaker – under $10k – has the best timbre and tonal qualities?


Several years ago, a prominent reviewer had this to say as he was praising the natural and life-like tonal qualities of a particular speaker:

It’s [speakers] like these that make me question the priorities of audiophiles who relegate accuracy of timbre to secondary status. How are the richness and color of instruments, voices, ensembles, and textures to be reproduced in all their infinite variety and beauty if a loudspeaker has less than accurate reproduction of timbre? What do dynamics, imaging, detail, transparency, and the like matter if voices and instruments don’t sound like themselves?

I’ve come the same realization, late in the game. I recently made a lateral move from one of the most popular of recent speaker models to a different speaker, because it sounded so much more natural and realistic in timbre. I sacrificed a touch of image precision in doing so, but it has been well worth it. The sound is so much more engaging. It’s like going from a high-resolution black and white photograph – which is very detailed and impressive – to a color version of the same photo, but with slightly less resolution. The color version offers so much more in terms of realism.

So I’m now contemplating the purchase of what I hope will be my last speakers, with the objective of realistic, natural, and rich (but not artificially warm) tone being the primary attribute.  

What speakers, under $10k, would you recommend? (I’m driving them with a PrimaLuna Prologue Premium)


wester17
If you are looking for truth and accuracy in sound, I would look at my Verdant Blackthorn 1.  Don’t take my word for it.  Look at Andrew Quint’s (The Absolute Sound) AXPONA coverage from 2019 when he covered speakers under $20K.  
The other speaker I would look at is Audiovector.  The R1 will roll up under $10K, the R3 is $10K without freedom grounding.  Again, Check out Andrew Quint’s review from earlier this year.  
A beautiful pair of Daedalus Poseidon just came on yesterday in your price range—check them out!
Another vote for Harbeths. They are quite remarkable, especially paired with tube electronics.
@ hoosierinohio,

"I have since found a more full color sound with old speakers from the 50’s."

You’re not alone in that opinion.
Far from it. Without extensive measuring techniques they must have relied more upon listening back then.

Some of today’s best designs still try to emulate the best from the 50s albeit with less colouration. Zu audio are definitely one who places impression over measurment. They even had a model called Zu Tone!

Alas another brand difficult to hear in the UK.

Detail yes, but not sterile detail.

Accuracy yes, but not sterile accuracy.
Poster......

This is solid gold.........

Good question. Part of the equation comes from the components. Tube, SS, etc. Some speakers have better bass, some are more open sounding but without the upstream components the sound can vary greatly. Tone to me comes from the source. IN manufacturing components I can change the sound completely with capacitors (think oil or copper caps), resistors think Audio Note non-magnetic, silver, etc. TO me the speaker has an impact on the sound but tone IMOP comes from your components. Have you ever heard a speaker sound poorly and then hear the same speaker somewhere else sound much better?