What s Your Frame of Reference?


Whenever I make a change to my system I pull out a select few records to evaluate the "upgrade". Gross differences in sound quality are fairly easily judged, but most likely the change in sound quality is subtle and better judged over an extended listening period. This is my problem: let's say I change something and on one of my reference records the trumpet now sounds a little more brash and upfront, maybe even bordering on harsh. How do I know whether the upgraded system is more accurately portraying the sound of the recorded trumpet, or has the upgrade merely added an upper midrange resonance problem? I have a good idea of what a generic trumpet (w/ and w/o mute) sounds like, but I wasn't at the recording session. The studio, the mic, EQ, recording medium, etc. all add an enormous amount of variables to what is actually recorded onto the record. If I judge the sound to be harsh and make changes to my system to remove the harshness, then maybe all I've done is make the system more pleasant, euphonic, but less accurate. The "live music in real space" paradigm is not particularly useful in that the overwhelming majority of the music I listen to is not of this type. Besides, the transparency of the audio engineering is still a variable. Ideally, I need a wide bandwith recording where I was present at the recording and which the engineer faithfully recorded the music. Unfortunately, I don't have such a recording. How are other dealing with this issue?
128x128onhwy61

Showing 3 responses by garfish

Hi hwy61; Are you trying to "unscrute the unscrutable"? I also do as Rcprince and Dekay do, ie play a broad variety of music that I am especially familiar with. For me, it's the timbre and character of vocals-- both male and female that are my references. If vocals don't sound natural, It's been my experience that instruments don't sound right either, eg piano and acoustic guitar.

I like Holly Cole, Margo Timmins, Diana Krall, Shirley Horn, Melissa Ethridge, JJ Cale, J. Cash, Buddy Guy, Koko Taylor and others as references-- real as opposed to "reference recordings". And I reserve the right to decide what is "natural". BTW, I've played both acoustic and electric guitars for 40 years, and am very familiar with what they sound like, including guitar amps.

But then, I don't think I'm after absolute accuracy. Like Dekay, I want my system to sound good with a broad variety of music. So I'm always asking "does this sound natural"? rather than "does this sound accurate"? I may use 10-20 well recorded CDs to make decisions regarding system changes. As I can never know what the original recording actually sounded like, I'm content to go with what sounds "natural" to me, even though it may not be closest to absolute "accuracy". This may just be semantics though? Craig.
Kitch29 brought up a good point that I also agree with. The change (hopefully improvement) has to stand the "test of time", eg for me it has to be non-fatiguing over time. Craig
Sugarbrie; an interesting testing method(s)-- I really don't think I could call it that close. Cheers. Craig