I have a decent DAC built into my SS integrated amp but think I can do better with a stand-alone. I’m looking for accuracy, definition and sound stage. Emphasis on sound stage. I have few vinyl albums and find that the ones that sound really good are quite expensive. So, trying to improve the streaming to it brings or approximates that magical HQ vinyl sound. Maybe I’m chasing a red herring but, from what I read, there are some boxes out there that can come darn close. Has anyone compared the Holo May KTE with the T+A DAC 200 or similarly priced products? I know the T+A is a little more but I don’t mind used too. I went from Border Patrol SEi to Ayre Codex to Ayre QB9 Twenty. When I changed my Pass Int 60 amp to one with built in DAC, I thought it sounded better than the QB 9. Actually the QB 9 had more detail than the amp DAC. However, Using the new amp’s (Hegel 590) DAC bypass, to my ear, the QB9 is somewhat fatiguing during extended sessions so, I’m using the smoother, marginally less detailed Hegel built in DAC. There are no places to demo equipment near me so, I have heretofore depended on forums such as this for decisions, of wihich have been very satisfactory thus far. I love pure jazz sounds like the guitar plucked from the fingers of Bill Frisell and John Schofield; the edgy sound of a tenor saxophone; the sultry female voices of Melody Gardot, Chantal Chamberlain and others. Enjoy classic rock as well.
My system:
Hegel 590 Integrated Amp+DAC
digital streamer pis Innuos Zenith MK3 with Innous Phoenix reclocker (strmg Qobuz)
analog is VPI Classic/Transfiguration Axia cart into Parasound JC3+
Magico A3 spkrs w/Audio Sensibility Statement cables.
I was using Audio Sensibility Statement silver interconnects for the QB 9 which I still have to use with a stand-alone.
I know that good sound is more often a matter of taste. However, I am still interested in the opinions of others in this forum and welcome yours if you have one.
Thanks in advance.
