What's more important, watts or capacitance?


I'm confused about what makes an amp able to reproduce musical transients realistically. Some articles I've read state that one needs lots of power, measured in watts, to handle dynamics, especially when pushing moderately sensitive speakers. Other articles refer to capacitance as the key. Currently, I use an amp with 600W / 900W into 8/4 ohms, and if I read the specs correctly, it has 60,000 microfarrads of capacitance. An alternative I'm considering puts out 'only' about 220W / 400W but claims capacitance of 200,000 microfarrads. So which amp will sound more dynamic? FWIW, my speakers have a sensitivity of 87.5 db, avg. impedence of 4 ohms and a minimum impedence of 3 ohms. I don't listen at real high volumes, but I do like classical music at close to live levels.

Thanks for any insight!
slanski62

Showing 1 response by atmasphere

I don't listen at real high volumes, but I do like classical music at close to live levels.

Classical music can get to 115 db in the first 5 rows of almost any concert hall. To do that with your speakers will require over 1000 watts.

A nimble amplifier- now that is another matter. It would be great if power supply filter capacitance and power were all that you needed to know, but its way more complicated by that! The one thing you need to know about this as that you cannot look at the spec sheets made by anyone and get a clear picture of the amp which will have the fastest transient response.

One spec that points to that though is risetime or slew rate. A slow risetime is 15Volts/microsec, a fast amplifier is over 100V (our amps, which are tube, have a 600V/usec risetime in the output section). You will find also the the shorter the signal path is in the amp or preamp, that there is a loose correlation to the 'speed' of the amp.

Feedback in the amplifier will slow its response, though quite often at the same time will seem to make the amplifier sound brighter (due to the addition of trace amounts of odd-ordered harmonics). Its one thing to have speed, but its another for the price to be one of irritation, so this is an area of concern for any designer!

Consequently, this really becomes a matter of audition.