@rooze: Are you familiar with the gear tastes and/or reviews of the late Art Dudley? His hi-fi priorities were first full-bodied tonal color and saturation, followed closely by "forward rhythmic propulsion"---the timing characteristics of hi-fi gear, a subject little discussed in hi-fi reviews (Herb Reichert being one exception).
Art preferred the pre-amps and power amps of Shindo Laboratories above all others (though in his review of the EAR-Yoshindo 912 he stated it provided sound competitive with his Shindo). I don’t believe Shindo offers a separate phono stage, but you can do what some hard-core 1950’s-60’s audiophiles did---use only the phono stage of a full-function pre-amp (phono and line stages), sending the RIAA signal available at the tape out jacks of a Shindo (or any other full-function pre-amp for that matter) to your own line stage. Who knows,. you might like the Shindo line stage as well!