What qualities stand out in really good solid state preamps?


Recently I posted on the Herron HL-1, asking people what they thought, how it compared, etc. It's been sold and that's ok. The search continues. 

But it raises a question I'd like to ask folks:

What attributes do you look for in a good solid state preamp?

Some qualities — quietness, durability, seem pretty obvious.

But what other criteria do you use to differentiate between solid state preamps?

How can they differ and what matters to you?

Please let me know!

P.S. As I've looked around, I've begun to learn more about some of the legendary preamps — made by companies such as Threshold, Ayre, Bryston, Pass, Apt-Holman, and others. It's good to have these names as references, but it would be even more useful if I knew what these brands conveyed, sonically. I've played with the idea of getting a newer Schiit preamp and then I wonder -- what if there's a "classic" preamp out there, used? What would it deliver that was worth searching for?

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Showing 1 response by mattmiller

The best sounding pre amp out there is no pre amp at all, many fine source components can be directly connected to a amplifier, at one time I was only into CD's so I had a CD player that had a volume control on it and balanced outputs! I had 2 pieces of gear and was buying the finest CD's I could get my hands on (XRCD). 

Matt M    

 

     P.S I prefer a hybrid setup using a Manley Labs Jumbo shrimp and Chinook Phono pre front end with a McIntosh MC352 double balanced solid state amp.