"We also simultaneously recorded to 6-track magnetic film which is analogous to reel to reel"
This is not cassette and in no way reflects the inherent problems with cassette.
The point isn't about whether analog or digital is better but, rather, whether cassette or high rez digital is better. And, on that note, IMO, there is no contest. High rez digital wins out by far.
"Cost factor and maintainability are not necessarily convincing arguments when dealing with audiophiles. You know..... "
For ultimate sound, you are right. But, for the cost you would need to spend on cassettes you would be better off going with reel to reel.
Further, to demonstrate the issues with cassette compare 1st generation through 5th generation copies of a cassette duplication. All the glaring problems and distortion associated with cassettes are laid bare! Couple that with not using noise reduction, as some have advocated, and the problem is even greater.
I've owned many of the best cassette decks and still own a Nak 700 mkII and Kyocera D811. I have even better decks in the past. My experience on location, in the studio have easily led me away from cassettes many, many years ago. However, I still have hundreds of hours of masters that I keep for archival purposes. All of which have also been transfered to 96/24 using the best digital equipment!
This is not cassette and in no way reflects the inherent problems with cassette.
The point isn't about whether analog or digital is better but, rather, whether cassette or high rez digital is better. And, on that note, IMO, there is no contest. High rez digital wins out by far.
"Cost factor and maintainability are not necessarily convincing arguments when dealing with audiophiles. You know..... "
For ultimate sound, you are right. But, for the cost you would need to spend on cassettes you would be better off going with reel to reel.
Further, to demonstrate the issues with cassette compare 1st generation through 5th generation copies of a cassette duplication. All the glaring problems and distortion associated with cassettes are laid bare! Couple that with not using noise reduction, as some have advocated, and the problem is even greater.
I've owned many of the best cassette decks and still own a Nak 700 mkII and Kyocera D811. I have even better decks in the past. My experience on location, in the studio have easily led me away from cassettes many, many years ago. However, I still have hundreds of hours of masters that I keep for archival purposes. All of which have also been transfered to 96/24 using the best digital equipment!