What makes One Music Server Sound Better than Another?


So this week my Mojo Audio DejaVu music server that I have used for the past 2-3 years crapped out. Benjamin at Mojo was more than helpful and the DejaVu is on its way to Mojo Audio where it will make a full recovery.

Thankfully, I still have my Antipodes DX2 Gen 3 (their former flagship) music server so I hooked it up. After wrestling with Roon protocols, transfers, and set-up menus, I was able to get it going so I have music. The DX and my Sonore Sig Rendu SE opt. are both connected to my network so the DX (like the DejaVu), is only being used as a Roon core and the Sig Rendu SE serves as the Roon endpoint for streaming Tidal and Qobuz, with a direct USB connection to my DAC.

The point of this thread is to ask, how come I perceive the the DejaVu server as sounding better than the Antipdes DX? In fairness, the differences I perceive are not great but it seems the DejaVu is fuller sounding, more tonally rich, and bolder. Is this why some here spend $10K+ on a Grimm, Taiko or something else?

If a server is basically a computer, sending digital information to a streamer/endpoint and, assuming that digital information is transmitted asynchronously and reclocked by the DAC’s master clock, and assuming noise is not the issue (i.e., both units are quiet and there is an optical break between the network and both the server and endpoint) then what are the technical reasons one should sound better than the other? It is not that I want to spend $10K+ on a music server with a lifespan of maybe 5 years before becoming obsolete, but I would like to understand what more you are getting for your money. So far, the best I can come up with is lower internal noise as the major factor.

As a side note to the above, when I thought things looked hopeless for getting set up, I scheduled a support session with Antipodes and, although I lucked into the solution before the meeting time, Mark Cole responded ready to help. Setting up the session was super easy and reminded me of the superior level of support I had come to enjoy from Antipodes during the time that the DX was my primary server, including multiple updates and 2 or 3 hardware upgrades, which prolonged the service life of the DX. Good products and good company.

 

mitch2

Showing 5 responses by fastfreight

Hi @mitch2 ,  I had similar experiences with the Bonn 8.  Not so with better switches;  The GTT Audio Switch X, the JCAT M12 (mine is the gold) and the Network Acoustics Tempus switches are all quite superior and have, in my system and to my ears, an obvious sonic benefit.  I have not tried converting to fiber.  I trust many members who report a a negative impact  I also strive to avoid additional power supplies associated with the fiber conversion. I feel a good switch resolves the noise.  I have also gone to AES vs USB into my DAC from my streamer, and find it better.  Of course the quality of the AES connection is also in play.

It is interesting how we are so skeptical of the whys and hows of a better sounding streamer, or for that matter anything in the digital front end.   Sure implementation and components and software make a difference. 

But when it comes to better sounding amps, while we can study the components, capacitance, power supplies, ratings  and schematics, we generally accept that this amp or that sounds better than others. Same with speakers.  Is it the crossover? the cabinet? the driver material? the internal wiring? the placement? the cables?  Or do we all generally know which brands and models sound better?

Our ears tell us if we listen and can hear.  

Hello @mdalton I am merely stating that I, like many others, walked into streaming and slowly upgraded many things.  FOR ME, the Ether Regen was hot and did some but not a lot to improve the sound.  The Bonn 8 made me feel more 'audiophile', but again made little change.  The M12 switch from JCAT was an easily heard improvement, especially with the JCAT power supply.  When I tried the Switch X, (switch and clean network)  I felt it was even better.  Since I already own the M12, I tried the Switch X with and without the M12 directly in front of it.  And guess what?  It sounds even better with both switches.  Many report this stacking of switches beneficial.  I understand for most this is excessive, but I already own the M12 so it is essentially half price for me to keep it vs sell it.  Who knows, maybe they each do slightly different things and so the benefit is additive. My summary would be if you really want great digital, buy a really good audio switch to place as close as feasible to your streamer.  (I save so much not having a turntable!).  I have invested heavily in great sound, so I find the cost of these devices worth it.  I would never say anything is a waste of another's money.  And I had no problem selling both my EtherRegen (with heat sinks) or the Bonn 8.