What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

Showing 11 responses by rsf507

@mikelavigne I appreciate all your responses think they are spot on. Your integrity is above reproach. Please keep us informed of your listening regarding your cartridges.

Thanks @mijostyn for the list of current mode phono stages. A quick search showed the Seta L20 mk2. Anyone hear this unit?

I recently heard the Grado Aeon3 cartridge at a dealer and while good it was to warm and didn't have the life that some other MC cartridges have. Ot did have a wonderful midrange, very smooth but it wasn't what I'd choose

Recently been impressed with a MSL (My Sonic Labs) cartridge. Very detailed but not etched and lively sounding.  Totally holographic. 

Heard the MSL Signature Gold at a dealers recently and WOW! Detail, quick and a soundstage to die for. Plus very natural sounding.

Just a rhetorical question. If you are buying 15k, 20k or even a 30k cartridge I'm assuming you already have a 40k, 50k, 75k turntable and maybe a 20k plus tonearm? Not to mention the price of a phono stage and the associated cables. 

For anyone that has heard the MSL cartridges can you describe the differences between each model? I've only heard the Sig Gold and it certainly took my breath away. My dealer is new to the line and can't honestly tell me what I might expect from other models. Thanks for any insight.

@mijostyn I know in a previous post you said you had not heard the Gold but curious if anyone else in this thread have listened to the MSL Gold Sig? How does it compare to the Platinum Sig? I’ve had the pleasure of hearing the Gold Sig several times now, for lengthy listens and can hear how quiet it is compared to the other cartridges my dealer has had over the years plus the control and ease of how it plays is beyond anything I’ve ever experienced. So would anyone know of similar or different the Gold is compared to the Platinum?