What Is So Special About Harbeth?


SLike probably all of you, I just received notice from Audiogon of a 20% discount on Harbeth XD. I clicked on the tab and found that the sale price is about $2700. I have read so many glowing comments here about Harbeth — as if just saying the name is the password for entering aural nirvana. I admit, I haven’t listened to Harbeth speakers. But looking at these, they just look like smallish bookshelf speakers. I’m not questioning how good others say these speakers are, but HOW do they do it out of an ordinary-looking box?

Is it the wood? Is it the bracing? Is it the crossover components? Is it the cone material? What is the reason why these Harbeth’s are such gems compared to other bookshelf speakers? What is it about the construction or technology that makes these speakers a deal at $2700 on sale versus the $800, 900 or $1,000 that others normally cost? What is the secret that makes audiophiles thrill to get such a costly bargain?

bob540

Showing 2 responses by kahlenz

I've been in this hobby since the 60's and I've heard everything known to man.  I've owned horns, electrostatics and a range of dynamic speakers.  I've listened to every kind of music in every kind of room.
I'm older and wiser now.  I have a modest system with P3 esr speakers.  These speakers do everything well and are engaging and non-fatiguing.  They are plenty loud for my needs (they do need a bit of oomph to get going).
If you are looking to rock the house down and need to feel your pants flap in the breeze and want to feel the bass thump in your chest, don't get these.  If you want to be delighted with hours of engaging and fatigue free listening at reasonable volumes, put these on your short list.

 weakest things of harbeths are these.Far away from natural

drum set, cymbal shimmer, bowed bass

I respectfully disagree.  Just got done listening to Zuill Bailey's most recent attempt at the Bach cello suites (Octave Records OCT-0008), and while not a bowed bass, the sounds I heard expressed the humanity of both the performer and the composer with spine-tingling authenticity.  Earlier today I had on Basie "Live at the Sands" (their performance in 1966 before Sinatra took the stage – MFSL 2-401).  When Sonny Payne cracked his drums I just about leapt out of my seat.  I had to play it again to believe it.  I was there (who needs Frank anyway when the Count's in town)!  That on a humble set of PSesr speakers (with a little help from an REL T/5).

Now I'm sitting in a smallish, well damped room (13' x 21') about 9' from the speakers listening at about 80dB (pretty loud for me, but my wife wasn't home).  The speakers behaved admirably (as usual).

Note that these speakers require some juice to get going (I've got 2x 110W with 120,000µF caps).  Not really huge, but more than you would expect you would need for such small speakers, and enough for my needs.  My old 60w amp didn't have the punch to drive them.

PS:  Frank would always request Sonny Payne whenever he played with Basie (yeah, he's that good)!