What is "critical listening"?


Is critical listening the art of finding nits on a bald head or a is it a hard fought for level of listening acumen and competence that prevents one from buying second rate equipment? If there is such a thing, does it enhance the listening experience or detract from it?

At what point is it safe or correct to self-anoint and wear the mantle of "critical listener"?
pbb

Showing 4 responses by detlof

Haven't read the above answers, but here is my two cents:
Critical listening is when I switch from music lover mode to audiophile mode. I then listen to the system and use the music as a means to this end. Contrary to that in music lover mode, the system is a means to the end of listening to music and forgetting about the system. In order to achieve that, you have to do critical listening first. If in music lover mode, you suddenly switch to critical listening, something is generally amiss. Cheers,
Sugarbrie, you make a fascinating point, which my thoughts only brushed briefly, when I wrote my post. In the sense you write, I would agree with you: In music lover mode critical listening in fact does not stop, but with me, it then goes right into the music, not into the system anymore and through the years our ears get trained and we learn to develop a language to express what we aurally percieve. I was close to a person, deeply musically trained, who was close to Menuhin and we went all over Europe when he concerted there and I also learnt to my own amazement I must say, that my "critique" was listened to and went over well. But then, mind you, M. was an extremely cultured and polite gentleman in the true sense of the word.....and yes, good sound and bad performance generally makes me angry with frustration but I will listen to Abado's rendering of the Beethoven symphonies, although the CDs are probably amongst the worst, DGG has ever managed to bring out. Cheers,
ASA: Ca va sens dire! Great to have you on this thread and your point is well made and taken!