What high-end cdp for low-end quality CD's ?


I need advice, in some foreseeable future I’m going to upgrade my cdp. My budget is going to be about $4000 top $5000. I was thinking about used Wadia 861, Accuphase 75V. But I had heard that they are true performers only on high quality audiophile grade CD’s. I heard that the more expensive SS cdp playback the worst it will sound with awful quality CD’s.
Unfortunately most of my CD’s is mean quality from BMG, SONY etc. buying CD’s from only audiophile companies or import them from Hon Kong, Taiwan, Japan (they are the best to me) is not a valid solution. I have heard rumor that some tube CD’s like Audio Areo, Lector (maybe Audiomeca ??-it is solid state though) can be more forgiving to mean CD’s, so you can actually listen to them. It is really hard for me to listen to them on my budget Arcam cdp, I cannot imagine it sounding worse with high-end player. So I’m looking for forgiving high-resolution, very dynamic, live, analog sounding cdp. So what would you recommend, I’m listening to soft rock, pop, classic.
Rest of equipment is Clayton monoblocks, Thiel 3.6 speakers by the end of summer I will have Supratek pre (I hope at least).
sorlowski
Absolutely, Jeff. I haven't given up on CD and I agree that the Cap is an amazing player -- one of the very best available.

Nonetheless, I can tell you that my $2000 VPI Scout/Dynavector vinly rig absolutely blows it away, especially with older recordings, which are mostly what I listen to.

Most of the efforts in digitial are aimed at making it sound more analogue, so why not go to the source?
It's only in the audiophile world that people are trying to make digital sound like vinyl. Real progress in audio reproduction is being made by those who are trying to make digital (and to a lesser extent analog tape) sound like the signal coming from the microphone feed. It's important to note that absolutely nobody says vinyl is accurate when using this rigorous standard of comparison.
Wellfed - sorry, I missed your earlier response to me. I'm not up to the task either of splaining' this stuff, but I'm not sure that I'm expressing my position well, from your response. Yes, I do think one CD player can do a superior job at creating a more listenable presentation of the same CD...no doubt about it. I don't doubt that the DAX player you mention is up to the task of doing just that. I also do like the sound I've heard from the few tube-output players I've heard as well. While I've heard some purist say that's BS. Dunno, but they sounded pretty damn good to me.

What I was positing in my original post was that no CD player, or turntable for that matter, is going to take a recording that is poorly miked and or poorly mixed in the recording stage, and make that recording sound like anything more than a well presented piss-poor recording. Oversampling or not. Oversampling may just fill in the blanks with some fabricated details which makes the digital format itself sound better to some ears, but there's no f&%ckin' way it's going to alter what was done at the mixing boards and in miking a performance. So if the poster was asking about making digititis mo'betta, then OK you folks saying there are damn good redbook players out there have no argument from me. But if you are saying your DAX player is going to correct for a recording where the highs are exaggerated and overblown, leaving the lows in the coalbin....well then, I have yet to hear that, and I'd really like to understand how that may work?!

Marco
Marco,
I'd like to correct your statement that confuses some members arround here:

No player even should/must/suppose/ought/oblighed to make or alter the sound of bad recorded/lo-end/poor-sounding/ CD/LP/SACD/XRCD/DVD-A/DLP/MLP/CDD/BCD/BSCD/ABCD/ETC...

Same applies for the well recorded media(s).