PRaT, the most asinine term ever invented in audio. Talk about doing audiophiles a disservice.... My version of 'PRaT'? The volume knob. If I want to bang my head, I crank that S up!
What exactly is PRaT???
Ok, it’s like this thing and is associated with “toe tapping” and such. I confess, I don’t get it. Apparently companies like Linn and Naim get it, and I don’t and find it a bit frustrating. What am I missing? I’m a drummer and am as sensitive as anyone to timing and beats, so why don’t I perceive this PRaT thing that many of you obviously do and prize as it occurs in stereo systems? When I read many Brit reviews a lot of attention goes to “rhythm” and “timing” and it’s useless to me and I just don’t get it. If someone can give me a concrete example of what the hell I’m not getting I’d sincerely be most appreciative. To be clear, enough people I greatly respect consider it a thing so objectively speaking it’s either something I can’t hear or maybe just don’t care about — or both. Can someone finally define this “thing” for me cause I seriously wanna learn something I clearly don’t know or understand.
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@ghdprentice You're welcome! Yes, 40 years of being a drummer certainly doesnt hurt. Knowledge of 'good' sound quality? The only parameter with good SQ, is realistic or accurate. A cymbal (keeping it simple) that sounds compressed (ie squished dynamics), is not natural or accurate. No such thing as PRaT in a live concert. The band either has it, or they dont. If they do, people get into it. If they dont, they get booed off the stage in extreme situations. |
@audiom3 Understand the term 'sarcasm' much? Yes, there is no such thing as PRaT in a live concert because you are listening to live instruments. PRaT refers only to the reproduction of music with a focus on how accurately the leading and trailing edges of notes or sound waves are reproduced, which may not match the original live performance. |
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