What Exactly Does "Burn In" do for Electronics?


I understand the break in of an internal combustion engine and such, but was wondering what exactly "burn in" of electrical equipment benefits musicality, especially with solid state equipment? Tubes (valves) I can see where they work better with age, to a point, but not quite sure why usage would improve cables, for instance. Thanks in advance for your insight.
dfontalbert

Showing 10 responses by csontos

Nonoise, you didn't take that personally, did you? I was of course generalizing. No offense.
Infer, imply, suggest. Call it what you will but I know what I read. Perhaps you misread the previous post?
I think the compensation issue is apples and oranges. Break in at the manufacturer is about ensuring it stays in spec. Changing out parts for different effect has nothing to do with so-called burn in. The same issue would apply.
I don't know what you guys are talkin about. Burn 'out' is more like it. As soon as I get a component back from rebuild, it's awesome for the first little while and then loses that pinnacle of peak performance, settling down to long term stability. Sheesh. WAKE UP!
It makes no sense that the expectation is for parts to fall out of spec in order to fall into a desired lower cumulative level of performance. Ridiculous. And how would this be accomplished within a reasonable time frame? By using inferior quality parts? Again, ridiculous.
A stupid attempt at lending credence to the notion that wires and cables have a wacky ability to magically alter performance.
I get that certain technical specs are sometimes required and that there is a descending scale of quality. I was referring to the unmeasurables. You know, those invisible attributes that always exponentially increase cost more than materials and labor.
I get that, Al. I read an inference suggesting a below spec target goal in order to achieve the desired end result. It was disputed but I don't buy it. In terms of "measurable", I was referring to wires and cables as I'm sure you recognize. All in all, I think it went well:)
There is a certain semi-conductor I do believe undergoes burn in, but as an exception to the rule. And I seriously look forward to yours, George, and Al's comments on this. I've brought up the offset and bias trim pots which are variable resistors, on a couple of other threads but not in regards to this topic. I'm suggesting that because they are always adjusted after recap/refurb, that the perceived short term progressive improvement heard even with new gear is a result of the wiper contact on the pad of the trim pot 'seating' and thus improving it's contact point until optimal and it is this action that is being tracked sonically by the user. The change is real but simply mis-attributed to stationary components. I regularly experience this phenomenon. It's easily observable and you George may be able to relate to this as the same issue pertains to basic mechanical attenuators. The very issue your own product addresses. On a single turn trim pot where you have direct contact with the wiper against your screw driver, you can press on it at the point of correct adjustment and hear improvement. Leave it alone and it will slowly reach that same quality over the short term. I incidentally noticed this a long time ago as another position I hold on bias adjustment requires that I do that procedure while listening. Sq has always continued to improve for up to a month or so after I adjust offset/bias pots. I'm thinking this has to be some how measurable. Without knowing the specifics as I don't recall the text, volume pots have contact issues such that optimization is apparently next to impossible and I'm hoping George can speak on this.