What do audiophiles want from a cable?


What should a high quality interconnect or speaker cable do to the sound of a system? Make it more transparent? Improve the sound stage and focus? Soften unpleasant highs? Tighten the base? Bring out the mids?

To me, a good cable should reveal more of what is on the recording and more of the true nature of my components. So when trying new cables, I look for more detail and accuracy without becoming cold and clinical. This seems logical, and yet after reading reviews and trying a few of the cables in the reviews, I find that the cables that have received glowing endorsements are not especially transparent or revealing. They modify the sound, but they don’t take me where I want to go. I wonder if the reason I don’t hear what the reviewer heard is that I don’t know what to listen for. Am I too focused on cable accuracy and resolution, and not enough on actual sound quality? Or is it just a case of no two systems sounding alike so why trust a review anyway? Thanks.
mward

Showing 1 response by almarg

In past threads Atmasphere has offered what I consider to be persuasive proof that in the case of analog interconnects the components being connected can be designed in a manner that will result in any reasonably well designed and inexpensive balanced cable having no sonic artifacts. In other words, in completely neutral behavior. Unfortunately few audiophile-oriented components are designed in that manner, although some approach it to varying degrees.

See the first of his posts dated 3-22-2013 in this thread for a description of the design requirements for the components being connected that are necessary to make that happen, and also for what I consider to be compelling proof of his contention. Also see the follow-up questions I submitted on 3-27-2013, and his response.

Regards,
-- Al