What bass-litmus-test music do you take to auditions?


If you love tight, fast, hard-hitting bass in spades, we have something in common.

When you go audition speaker-amp pairings, what music do you take along to separate the grain from the chaff?

Here are a couple of my favorites:

- Pigs of the Roman Empire, by Melvins + Lustmord (from their album Pigs of the Roman Empire). This is a brilliant collab between noted dark ambient artist Lustmord and iconic sludge gods the Melvins. If a 23-minute sludge metal track isn’t your cuppa, I understand (sort of? smiley) and feel free to skip to around 14:30

- A1, by Darkside (from their eponymous 2011 debut EP). What can I say? I love Darkside. Only one EP and 3 albums in 14 years, but they’re worth the wait. Their new album Nothing is fantastic.

- Paténipat, by Charlotte Adigéry and Bolis Pupul (Topical Dancer). This playful song has the ability to dim my little table light significantly when played loud enough. For some reason it does not cause my imperfect room to break into harsh mids and highs so I crank it up to ridiculous SPLs.

- Ageiopolis, by Aphex Twin (Selected Ambient Works 84-92). An airy and pleasant ambient track with some killer bass thrown in. Maybe the only track so far that makes my speakers threaten to lose their composure and reminds me that I should probably re-gasket my woofers and crossover access panels, and make sure my sealed enclosures are indeed sealed.

What are some of your favorites? I am curious to learn about some non-electronic works.

devinplombier

Showing 5 responses by devinplombier

@ditusa 

This stirred up memories. When I was small, my mom was into Tchaikovsky and the 1812 Overture was in regular rotation in our house. I even think I remember the Deutsche Grammophon album cover, but I could be imagining that.

I was not familiar with the Telarc recording though. It is definitely a dynamics monster.

Now I wonder if being exposed to artillery-as-musical-instrument at a young age has anything to do with my current love of industrial metal...?

 

@slaw @knownothing 

I was aware of Ray Brown’s name but sadly I knew next to nothing about his music. Soular Energy is delightful. I did not find Evidence - but Black Orpheus was released on the Evidence label?

The Goat Rodeo sessions is Yo Yo Ma playing... bluegrass? A great album I definitely would have never found on my own!

@g2the2nd 

Lineage - Lenny's Solo is an absolute gem I'd never heard of, so thank you for bringing it up. As epic drum solos go, it's right up there with Billy Cobham's A Funky Shade of Things, and dare I say within sight of Max Roach's best. I haven't listened to the whole double album yet (searched for a proper hi-res copy to do the excellent live recording justice), but if the entirety of it is on par with what I've heard so far it's a masterpiece.

Finally, another great bass track:

We Have Always Lived In The Castle, from the 2018 Uniform / The Body collab album Mental Wounds Not Healing

I wouldn't quite recommend you listen to it... though you're welcome to smiley