Wow. This discussion is Really getting complicated here.
Here is just a short slice of my opinion on this topic.
I feel a certain form of reviewing should be taken as nothing more than pure entertainment, and if it entertains, well that's that. But you can throw credibility out the window.
Do you really think that, regardless of ''reviewing'' styles, a reviewer that is ''wined and dined'' in Europe, on a manufacturer's invitation to visit their company, can be taken with the least bit of credibility ? Sam Tellig (Tom Gillet) and his ''Sam's Space'' in Stereophile comes to mind as a glaring example.
All reviewers are not like this, of course. Nevertheless, objectivity is seriously non-existent when this happens.
Not far behind, the reviewer that ''liked the amp (or whatever) so much that he bought the review sample''. In this case, ''buying the review sample'' is somewhat easier to do than for you and me, as it is usually purchased at ''accomodation pricing'' a well-known unwritten audio-insider law where you buy gear direct from a manufacturer at roughly 50% of retail value (meaning dealer cost) for lesser-know reviewers, and for FREE if you are a reviewer with a strong readership and infuencial power, like Tellig, where I suspect the guy never pays for anything, probably including his toilet paper, if it can be proven that he cleans his interconnects with it and a dab of whooppe oil.
For this reason, I find that in many cases, the only view on reviewing style should be taken in the context of pure entertainement, supported of course with generic techno-detail color commentary. Blah blah blah, and here goes yet ANOTHER gizmo that a reviewer ''could happily live with on a long-term basis'' Taken as entertainement, anything is possible, and everything is in support of this, as long as it hits home, meaning that it gathers attention and starts a buying frenzy on Audiogon or in the hi-fi shops. We are suckers for doing so.
I just feel that it is a bit naive to consider it otherwise, an no more complicated than this. If it grabs your attention and entertains, great. But for me, at least with certain writers, zero credibility, but a fun read still. Please yourself the futility of ''analyzing my paragraps one at a time''. Kepp it simple and fun - and get back to the music ! There's a lot more happening THERE.
Here is just a short slice of my opinion on this topic.
I feel a certain form of reviewing should be taken as nothing more than pure entertainment, and if it entertains, well that's that. But you can throw credibility out the window.
Do you really think that, regardless of ''reviewing'' styles, a reviewer that is ''wined and dined'' in Europe, on a manufacturer's invitation to visit their company, can be taken with the least bit of credibility ? Sam Tellig (Tom Gillet) and his ''Sam's Space'' in Stereophile comes to mind as a glaring example.
All reviewers are not like this, of course. Nevertheless, objectivity is seriously non-existent when this happens.
Not far behind, the reviewer that ''liked the amp (or whatever) so much that he bought the review sample''. In this case, ''buying the review sample'' is somewhat easier to do than for you and me, as it is usually purchased at ''accomodation pricing'' a well-known unwritten audio-insider law where you buy gear direct from a manufacturer at roughly 50% of retail value (meaning dealer cost) for lesser-know reviewers, and for FREE if you are a reviewer with a strong readership and infuencial power, like Tellig, where I suspect the guy never pays for anything, probably including his toilet paper, if it can be proven that he cleans his interconnects with it and a dab of whooppe oil.
For this reason, I find that in many cases, the only view on reviewing style should be taken in the context of pure entertainement, supported of course with generic techno-detail color commentary. Blah blah blah, and here goes yet ANOTHER gizmo that a reviewer ''could happily live with on a long-term basis'' Taken as entertainement, anything is possible, and everything is in support of this, as long as it hits home, meaning that it gathers attention and starts a buying frenzy on Audiogon or in the hi-fi shops. We are suckers for doing so.
I just feel that it is a bit naive to consider it otherwise, an no more complicated than this. If it grabs your attention and entertains, great. But for me, at least with certain writers, zero credibility, but a fun read still. Please yourself the futility of ''analyzing my paragraps one at a time''. Kepp it simple and fun - and get back to the music ! There's a lot more happening THERE.