I think this is the pink label version of TFTT, which I shall have to play this morning:
Showing 13 responses by dogberry
For me it is usually Opus 3's Test Record 1. Especially the first track, Therese Juel's Tiden Bara Går. Then Barbirolli's Elgar Cello Concert and Sea Pictures. Both are very well recorded (goes without saying for any Opus 3 recordings) and I know them intimately, which means I quickly pick up on differences in the sound. |
I know what you mean! I happen to be listening to one of their finest this morning, Cyndee Peter's Black Is The Color (1977, Opus 3 77-06). (Which is quite a change from the one I played before it—Quadrophenia!) I would not normally think of myself as a candidate for gospel singing, but It's impossible not to love this woman's voice! |
@billpete Perhaps not so lucky with this one: |
It would be nice if discogs were more fussy about mentioning DBX status. I once got an LP that had the CBS CX noise reduction on it. That was said to be playable without the decoder, though there would be some compression. It was acceptable, but I also had the CD of that album and it did sound better! |
@billpete Test Record Number One? Yes, it's in Swedish, but he sound is universal. Many years ago I was in contact with Therese Juel, and she sent me her translation of the lyrics:
I had to doctor her English a bit, as her original made no sense to me.
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Another recommendation for an album with great sound is Suzanne Vega "Solitude Standing" (A&M SP 5136). I bought it on cassette in 1987 and hadn't heard it for many years. Since finding a vinyl copy on discogs it has become a regular wife-annoyer (she objects if she hears the same thing twice in a month). Remarkable sound. |