What about "Pro" vs. Audiophile ?????

I'm trying to recreate an original musical event with my system so that I think I'm in the concert hall and can get lost in the music rather than a master tape. The recording engineer is trying to hear every bit of minutia that's on the master tape to catch flaws and accordingly may need equipment which is terribly revealing or may even highlight certain frequencies unnaturally to do that; that engineer, if on the pop side, is also trying to create something that teens can listen to on their boomboxes (in my day it was a transistor radio) and will sound good enough on that to sell millions of copies. My goals and theirs don't necessarily coincide.

I have been in many recording studios on the west coast, the best one I have ever been to was at Skywalker Ranch. I concure, several small studios I have been in mostly in peoples houses don't have very good playback systems, there recordings often reflect this. It is to bad that there isn't a standard for recording studios similar to the THX standard used in movies. I remember several years back working at a small studio, one thing they did for suplimental income was by doing small recordings and personal projects, Im glad there are inexpensive studios out there. The playback system in my house revialed the one at the studio but you could still do a reasonable recording. I am always looking for the best recordings I can get, I know that no matter what system I have its sound quality will never excede the recording. So my answere to your question is ( my opinion) that my playback system in my house should and does reveal more than what is installed in most small studios. One of the cons to this is a bad CD or LP sounds really bad and you can hear the limitations of the recording but when you get a good recording it is magic.

Do not discard pro audio products from your choices. I have owned and currently own pro audio equipment in my system. You get more value for your money vs audiophile products.

Regarding the above post rgarding musical reproduction, I agree. Create a system that will enable you to reproduce the musical performance of your likes w/out falling into the analytical. You'll be much happier...

There is a lot the audiophile community could learn from "pro" gear. However, the goals of the two are not the same at all. Take the design of a studio control room vs a listening room. The studio control room is designed to give the engineer exactly what is coming from the mics with no coloration due to the room, and usually in a small environment. This is not the goal of the audiophile's listening room. The room is part of the equation and provides the "spaciousness" to re-create the experience. That being said, it becomes easy to understand why some mastering sounds much better than others. Some engineers understand more about the playback than others. And, in some cases, the engineering is done for optimized playback in a $500 stereo in a car (not your audiophile CD I can assure you). Well, I'm a bit off track, but the point is there are two goals that are distinctly different. However, much of the means and knowledge in achieving these two goals are similar. Interestingly enough, all of the products from our company are engineered by those in the "pro" audio business (but they are all audiophiles as well).