I already am very excited about SACD, which becomes more economically viable and esthetically satisfying with every new release of software, in single, stereo hybrid, multi-channel single, whatever format, and every new piece of hardware, no matter how many different layers it plays. Your premise, that dedicated systems always sound better, is drawn from a single example and some very outdated thinking. Your points of reference are all cumbersome analog machines and electronics. We're not talking about gluing a 45 onto a 33-1/3 LP here. And a multi-format player has more in common with a computer than a turntable with a cassette player. Is your computer less functional because it contains a hard drive, a CD player, a CD burner, and a DVD drive? Digital decoding becomes more efficient as it becomes more compact, and stacking layers of information on top of one another, as well as the detection devices, just makes it more efficient for the manufacturer and the consumer. If they can cram 12 different players into one box, why not offer that to the consumer? If a disc can carry 17 different programs, why limit it to one? Your conclusions are poorly drawn from a flawed experiment, and you call it "common sense". I call it bias, based on a failure to understand a new system. There is no question that a manufacturer must cut corners to offer a player at lower price levels, but that's true of any audio equipment, or automobile. If you must drive a Porsche to the hardware store, okay. Don't criticize the sports sedan with fold-down back seats that the rest of us drive. My Passat is a much better car than anything I could afford before, and my combo SACD player kicks the butt of any other digital source I have ever heard.
Want to get excited about SACD again??
First the good news:
The new Verve re-release of Diana Krall's "When I Look In Your Eyes" finally gives us a real shot of the "analog like" potential of SACD. You may want to pick this disk up if you have a SACD player.
Now the bad (potentially good) news:
One of the reasons this disk sounds very good..and the other Verve/Krall SACD release doesn't (and I'm not talking sujective music content) is that this is a SACD only release, ie: no redbook layer.
Think about it, this only makes sense. Go to the Audio Research site and read their logic about their new CD player the CD3. ie: just do one thing well. And Ayre, Classe and other high-end audio companies are bringing out CD only players and addressing the multi-format compromises/concerns.
With all of the jitter and bits/reading concerns that any digital machine can have, it just makes sense that if we had SACD only machines (this way they could have better audio stages...etc. instead of time/money being spent on covering all bases) and SACD only disks (no problem with lasers picking up bits from too many layers)
I know, I know that Sony, and others, feel that these multi format machines and multi layer disks are the safe way to market these things. Well they are shooting themselves in the foot...or maybe the head...because if they don't release the machines and software that will show off what this format can do..well it will die. Because the very people that have tried to support the format are being given hardware and software that is not showing off the formats best.
So, give me a SCD-1 without the CD hardware, and instead put in better caps, resistors and a discrete jfet audio stage running in class A. Then give me SACD uncompromised software to play on it....even just two channel...no multi-channel. If multi-channel was important to audio..this could have been done on redbook cds for some time. This multi-channel is just Sony's knee-jerk reaction to DVD-A...and they are just missing the piont that it is a MOVIE thing not a MUSIC thing.
Sorry to ramble...but I feel SACD will fail...and it's not because it isn't better...this SACD only Krall disk shows this....it's because of this multi-multi direction that is, likely, doomed.
The new Verve re-release of Diana Krall's "When I Look In Your Eyes" finally gives us a real shot of the "analog like" potential of SACD. You may want to pick this disk up if you have a SACD player.
Now the bad (potentially good) news:
One of the reasons this disk sounds very good..and the other Verve/Krall SACD release doesn't (and I'm not talking sujective music content) is that this is a SACD only release, ie: no redbook layer.
Think about it, this only makes sense. Go to the Audio Research site and read their logic about their new CD player the CD3. ie: just do one thing well. And Ayre, Classe and other high-end audio companies are bringing out CD only players and addressing the multi-format compromises/concerns.
With all of the jitter and bits/reading concerns that any digital machine can have, it just makes sense that if we had SACD only machines (this way they could have better audio stages...etc. instead of time/money being spent on covering all bases) and SACD only disks (no problem with lasers picking up bits from too many layers)
I know, I know that Sony, and others, feel that these multi format machines and multi layer disks are the safe way to market these things. Well they are shooting themselves in the foot...or maybe the head...because if they don't release the machines and software that will show off what this format can do..well it will die. Because the very people that have tried to support the format are being given hardware and software that is not showing off the formats best.
So, give me a SCD-1 without the CD hardware, and instead put in better caps, resistors and a discrete jfet audio stage running in class A. Then give me SACD uncompromised software to play on it....even just two channel...no multi-channel. If multi-channel was important to audio..this could have been done on redbook cds for some time. This multi-channel is just Sony's knee-jerk reaction to DVD-A...and they are just missing the piont that it is a MOVIE thing not a MUSIC thing.
Sorry to ramble...but I feel SACD will fail...and it's not because it isn't better...this SACD only Krall disk shows this....it's because of this multi-multi direction that is, likely, doomed.