$$$ vs music enjoyment


The January 2013 Stereophile e-mail newsletter featured an interesting reprint of a 1994 article titled "R.I.P. High-End Audio?" The reprint generated interesting discussion, and I found one post in particular raising an interesting point.

"The article suggests there is some public good to spreading the high-end. I'd like it first shown that someone is happier listening to music on $20 speakers than 'mid-end' $2k speakers. I mean empirical evidence - hook up blindfolded listens to brain scanners and measure their neurotransmitter levels. If there were a correlation between musical enjoyment and price beyond a certain point I'd have expected my musician and conductor friends to own better stereos than they do."

A few points raised there. Does a more expensive system (a nicely set up, moderate system vs. a significantly more expensive system) indeed elevate the level of musical enjoyment? It would be very interesting to compare owners of all-out assault systems with average audiophiles who can't wait to fire up their systems on a Friday night to get themselves immersed in music. I believe I myself would in fact enjoy the music more if able to afford a more expensive system, even though my modest system has given me extreme enjoyment. But who knows...

And then, yes, why does the audiophile community feature relatively so few musicians? I must say this argument is actually not very convincing to me. The underlying assumption is that any given trade professional would necessarily strive to replicate or pursue the same standards or level of performance in his private life, which I think is a fallacy. Does a fancy restaurant chef have to always eat gourmet food at his home to enjoy it? Does a fashion designer have to always wear designer clothes lest they show high fashion is a sham?

Comments welcome.
actusreus

Showing 2 responses by onemug

Seems like there are two camps:

One buys music to listen to their equipment. and the other buys equipment to listen to music.

They both exist, always have, always will.

I'd think most musicians are really just paying attention to the music. I've have recording artist/friends that enjoy my system and in conversation say how good it sounds but they don't feel the need to have anything like it. Maybe others do. Neil Young has been vocal about vinyl sounding better than digital and now he is championing better hi-rez downloading so you can't lump everyone together.

For me: I love music and I've been fortunate in being able to afford some nice equipment but I only bought when it would cause me to enjoy the music even more.

Case in point, and the subject of this thread, is a recent finding that I have a soft spot, aka love, for vintage equipment. I have a dedicated vintage room that cost a fraction of what my other system(s) cost yet I find myself some months spending more time in there. I could analyze how much better the big system is but I'd rather just enjoy the music.

That's the story. I now return you to your regular scheduled argument, umm, discussion. :-)

Ketchup,

I haven't done one because I don't feel what a person owns gives his opinion any more worth "in general". From time to time when it's relevant, I mention what I own and have direct experience with so the person knows I'm not just giving an opinion on something I've "read" about.

But I see your point here because of the contrast between "$$$ vs music enjoyment".

So from the minimum $$$/Vintage:
Marantz 18,19,2270 (rotate them in) driving custom designed components inside Altec Valencia cabinets. Cost...300 to 700 depending on receiver.

To the max $$$:
CJ ART 3>Pass XA100.5's>Maggie 3.6's with custom x/o's. Cost...over 40K not including sources.

No question about my high $ sounding more like the real thing. I just don't need it to enjoy an evening of music "even more".