VPI 2nd Pivot for 3D


I just installed mine and discovering my old records anew.  I thought I knew everything there was to know on the original pressing of Fleetwood Mac's Rumers......but no - there's more.  You immediately hear a more solid bass, but then the dynamics hit hard.  It sounds like my amp is on steroids.  More cleanliness, - everything is better.  Very highly recommended.
stringreen

Showing 4 responses by bdp24

Slaw, you prefer the HW-19 to the TNT? The latter has always appeared to me as being a very high mass version of the former. But I never looked into it that much, as I was "sold" on the design of the Townshend Rock.

Really good points, slaw. I didn't want to be that harsh, trying to give Harry the benefit of the doubt. But your assessment is more on point than mine. I feel the same way about ARC, finding their frequent and endless updates and revisions of current models, and New! Improved! model introductions, cynically timed to keep the cash flow of the company healthy. That is a viewpoint very much belittled by hardcore ARC defenders (apologists?).

How frequently/often should a company make changes to their current models, and introduce new models which mock the old? I don't know if there is an answer to that question.

stringreen, it's not VPI's (or anyone else's) attempts to keep improving it's product(s)---making incremental improvements to a model over time---that it's detractors find objectionable, but rather their history of first embracing one design philosophy, then abandoning it for a second of a completely different nature, then a third. And with each new design, claiming it to be the best way to make that component. I myself don't feel that way, thinking that Harry just came to embrace different designs at different points in time honestly, not cynically. One may buy whichever VPI design one prefers. Or none of them!

There are more extreme examples that can be cited, particularly the myriad of different models offered simultaneously by some speaker companies. Making different speaker models for different applications, room sizes, maximum SPL and/or bass extension capabilities is a very sensible and justifiable practice. But to make speakers of rather different design for the same application does not speak well of a company's integrity. A few speaker companies not exhibiting this lack of integrity are Vandersteen, Magnepan, Eminent Technology, and Wilson, perhaps one factor leading to their long-term success. 

So true, slaw. While having made a number of turntables worth owning (though not tonearms---unipivots suck!), VPI has little credibility in terms of a design point-of-view or philosophy. Or, I guess Harry can claim, it has "evolved" ;-).