I mostly agree with him- just a couple of beefs:
Who dusts records that way? So much easier to simply leave the LP on the platter and let it do the spinning, unless the turntable is so yukky it stops turning with this sort of use.
He is incorrect about 'uncompressed CDs and streaming'. As a mastering engineer, we usually have to get the producer to send us the digital file that hasn't been mastered for digital release to get the best sound. This is simply because nearly all CDs employ compression so they can be heard in a car. There is no expectation this will happen with LPs. I've found that if I spend time with the project, I can find a way to master it without processing (even if there is out of phase bass). So usually these days LPs have less compression unless things were done on the cheap- its not inherent in the format.
The LP has had bandwidth to 40KHz since 1958 when the Westerex #D cutter head ushered in the Golden Age of Stereo. Playback has had this sort of bandwidth since decent phono cartridges started showing up in the late 1960s.
