Vinyl lovers--in case you haven't tried this yet


One advantage to being home sick with the flu, is that I get to spend time with recent purchases. This week I have finally installed my Lyra Helikon Mono cartridge, cleaned a bunch of old mono recordings and WOW, I am shocked at the warmth, clarity, natural, intimate sound. Perhaps many of you know this already (I bought the cartridge slightly used from a friend, after reading a glowing review by Fremer), but folks this is shockingly good sound. I put on some old Shaded Dogs, mono Archiv recordings of Bach, and frankly, I don't understand this: how can there be a wide, deep soundstage with mono recordings? I'm not missing whatever Stereo does (don't get me wrong, I'm not dumping that side of things), but would someone explain to me how a good mono recording, played with a good mono cartridge, can sound so alive, natural, and present. (As I write this I'm listening to a wonderful Alicia de la Laroccha which I picked up for a buck at Amoeba. ) If you haven't tried this yet, it's worth a listen.
Joe
jsaah

Showing 1 response by dweller

Read an article about mono in the last six months (either Stereophile or TAS). If remembered correctly, mono is recorded on the bottom of the groove and sort of looks like stairs (going up and down).
Stereo, on the other hand, is recorded on the groove walls (one wall for left, one for right channels).
This is why a stereo stylus doesn't track true mono as it should.