The original description was "vinyl sounds muddied."
While all the comments about setup, amps, etc. may have merit, the fact that it appears only on vinyl means - well, it must be associated with vinyl playback.
Two possibilities:
But more likely is #2.
Almost all records have some warpage, which is amplified at 33 1/3 rpm, or 0.5 hz. (33.3 cycles per second/60 seconds per minute = 0.555)
Plus there are various imperfections in the surface. Say there are three imperfections - they will be played back at 1.5 hz.
OR, many records don’t have the spindle hole punched exactly in the center - another source of 0.5 hz.
In all of these subsonic cases, the amp will be pushing or pulling at very low frequencies, which will stress it. And the woofer will be struggling to produce an in-phase signal while the woofer moves in or out, with large excursions.
The simplest form of speaker distortion is the Doppler Effect, but there are other phase-shift effects that will affect the sound you hear. Muddied is a good description.
That’s why amps of vinyl vintage had subsonic filters, usually switchable. And they usually acted below 10 hz. Simple solution (if the slope of the filter didn’t introduce too much phase shift of its own).
In the vinyl era, rumble filters were different from subsonic filters. Rumble filters were designed to mask bearing noise, which occurs in the audible range. Using them eliminates audible sound - better to get rid of noisy bearings.
Subsonic filters were strictly for eccentric recordings. You could actually see the woofer moving in and out at 33 1/3 hz - I thought it looked like they were breathing.
Different problems, different solutions.
While all the comments about setup, amps, etc. may have merit, the fact that it appears only on vinyl means - well, it must be associated with vinyl playback.
Two possibilities:
- Acoustic feedback
- Eccentric recording.
But more likely is #2.
Almost all records have some warpage, which is amplified at 33 1/3 rpm, or 0.5 hz. (33.3 cycles per second/60 seconds per minute = 0.555)
Plus there are various imperfections in the surface. Say there are three imperfections - they will be played back at 1.5 hz.
OR, many records don’t have the spindle hole punched exactly in the center - another source of 0.5 hz.
In all of these subsonic cases, the amp will be pushing or pulling at very low frequencies, which will stress it. And the woofer will be struggling to produce an in-phase signal while the woofer moves in or out, with large excursions.
The simplest form of speaker distortion is the Doppler Effect, but there are other phase-shift effects that will affect the sound you hear. Muddied is a good description.
That’s why amps of vinyl vintage had subsonic filters, usually switchable. And they usually acted below 10 hz. Simple solution (if the slope of the filter didn’t introduce too much phase shift of its own).
In the vinyl era, rumble filters were different from subsonic filters. Rumble filters were designed to mask bearing noise, which occurs in the audible range. Using them eliminates audible sound - better to get rid of noisy bearings.
Subsonic filters were strictly for eccentric recordings. You could actually see the woofer moving in and out at 33 1/3 hz - I thought it looked like they were breathing.
Different problems, different solutions.