VAC Owners:Outboard Phono Stage?


I'm contemplating my next upgrade. Thought you guys could help.

I spin mostly vinyl. I have a great analogue front end that feeds a VAC Standard LE pre and VAC PHI 200 amp, both of which I love. The MC stage on the pre is really good, but a little noisy (hiss). Kevin is sending me new 12AX7s that Brent will test for very low noise at the VACtory. Those guys just rock!

My question, however, is how much do I need to spend on an outboard MC phono stage if I want a significant upgrade to the already wonderful sound of the built-in stage?

I know, why don't I just enjoy the wonderful sound? Because it's upgrade time, baby! There will always be a next level (we really need a 12 step group for this hobby).

I'm looking at the Zesto Andros ($3900), the Herron VTPH-2 ($3700), and possibly the new Manley Chinook ($2200).

Ideally, I could audition these in my system, but the nearest dealer is far away, so I'll have to order one.

Any thoughts are welcome. Thanks,
Alón (no, not Wolf)
alonski

Showing 1 response by rtilden

To those of you who have experience with VAC phono stage and comparing it to others: I am considering moving to a VAC preamp with phono, and I am looking for some kind of gauge as to how good the phono is. Are the phono stages the same in VAC's Renaissance III and Signature IIa? Most of the comments above compare the VAC phono with units around $4K, which seems reasonable from a comparative pricing perspective. But I had come to think that the benefits of using the on-board phono in the Signature IIa placed its competitors in a more expensive category (like Allnic H3000 or Pass XP-25)? I would appreciate any comments. I received a recent suggestion to consider the Renaissance pre without phono and using a separate phono preamp. The idea was that the Renaissance is 90% as good as the Signature IIa, and an improved separate phono would more than offset the 10% differential in preamps, while not breaking the bank in the process.