Using Bad Recording to Evaluate a System


Once I went to a dealer to audition a speaker, brought a few CD's. One of them was a CD of a group I like but has rather low quality recording.
Well, I put that CD in and cued up a track, and when the music ended the dealer asked why I was using such a horrible sounding recording to audition. (I think he looked kinda slightly pissed. Maybe because the music sounded shrill and irritating the whole time???)
Yeah, why?
Here's what I think: an audio system should make listening the music a pleasant experience. The better your system can reproduce, the more enjoyment you get regardless of recording quality. Saying that 'my system is so good I can only play my audiophile discs' is basically saying something is wrong with my system. Yes, nowadays I tend to play my 'audiophile' CDs much more than regular ones, but that's because of the music AND the excellent recording quality, but when I play my regular or lower recording quality CD's, I find that, although the shortcomings are more obvious, my system can reproduce the music as an enjoyable presentation, and I enjoy it more than when I used to in prev. lower-res/quality/musicality systems.
yr44

Showing 1 response by onhwy61

Really good, well balanced systems shouldn't make a poorly recorded albums sound unlistenable, they should just expose them as over EQed, heavily compressed, noisy, no soundstage, obviously faked reverb, sloppily edited, etc. It should show the flaws, but not highlight them. If your system sounds brutal on tons of records, then something is wrong with your system.

Sogood51 makes a good point about tone controls. Your system should serve your music collection, not the other way around.