Upgrade thoughts


I'm considering an upgrade-not committed to it and not sure which component would be best to upgrade. System= Sonus Faber Serafino; Michi s5 amp; Simaudio 390 preamp; DCS Bartok DAC streamer (currently being upgraded to Apex); Clearaudio DC Performance TT; Simaudio 610LP phono pre; Ortofon Cadenza Bronze Cart; Roon Nucleus; Nordost Heimdall II speaker cables and interconnects; Shunyata PC; Room is approximately 36x24 with an area opening to a different room. 

I enjoy different kinds of music-jazz-60s, 70s rock, country, accoustical. No classical or electronic- not a lot of really bass heavy stuff. Mostly stream from Qobuz-really enjoy my vinyl rig but too old and lazy to get up every 20 minutes. 

I'm pretty satisfied with my system-spend a couple of hours with it every night- and maybe should leave well enough alone. If I had to identify what I would like more of, maybe a wider soundstage and a bit more detail. Or, maybe I just have a recurring case of upgraditis because that seems to go with this hobby. 

Have toyed with going to Boulder 1160 amp. The Michi S5 might seem the logical weak spot, but I think its pretty good. Auditioned against McIntosh and Classe and I liked the Michi better. Boulder is obviously in a different price category-wondering how much improvement i might get for the money. 

Also considered going to Magico S5 MkII speakers. The SFs are fine speakers-would this be more of a lateral move?

Might be able to audition these in a showroom-probably not with my setup. 

Would appreciate any helpful thoughts-particularly about the Boulder and/or Magico.

Budget is 15-20 plus trade-in-obviously would be happy to spend less.

 I don't post that often but look at the forum everyday and have learned a lot. Things like never debate raven vs. prima luna, but helpful stuff as well. 

Thanks!

kerrybh

Showing 3 responses by elliottbnewcombjr

Truly awesome System.

You have enough power to drive half the city.

I have never heard your speakers, my ’imagined’ take:

1. I am not a fan of ports, if so, Front Only.

2. Lots of description relative to Violins, however I have never seen/heard a Violin with a hole in the back.

Sooo, can you

a. close the ports, live with change for a while, differences beneficial?

b. audition different ’portless’ speakers, find something that sound fantastic to you?

Listen, particularly to imaging, and, despite apparently less bass, is ’stereo bass’ improved, i.e. very low bass mono, but the bass overtones become directional thus bass player’s location more readily identified. Port Sound Waves are detrimental to Bass Overtones IME.

 

....................................................................

IF you have a lot of open space behind the rear port, as I once had, the rear port can be beneficial, barely if at all detrimental, I would still try them blocked, ascertain the differences.

My speakers, in their current location, have their rear ports blocked. Open when I moved in, but definite improvements, HERE, closing them. 

 

Prior Location, open space, they had a full room behind them, the rear port gave extra extension to the 15" woofer, i.e. like in a larger enclosure than the 6.8 cu ft enclosure without reflections of sound waves out of the rear port.

 

 

grislybutter

well, the left foot is concealed. Since then: Bad Infection in Big Toe Bone, 3 surgeries later, as my friend Nick just said:

"I guess your foot modeling days are done".

We had dinner a few tables away from Larry David. (we had tickets to see him later at a nearby comedy club).

How brilliant is he, George's hands, phobias, .... It was both interesting and distracting to see him rearrange the salt/pepper/ketchup OVER and OVER again.

I watch re-runs, never gets old.