Two Type of sound and listener preference are there more?


In our thirty years of professional audio system design and setup, we keep on running into two distinctly different types of sound and listeners.

Type One: Detail, clarity, soundstage, the high resolution/accuracy camp. People who fall into this camp are trying to reproduce the absolute sound and use live music as their guide.

Type Two: Musicality camp, who favors tone and listenability over the high resolution camp. Dynamics, spl capabilty, soundstaging are less important. The ability for a system to sound real is less important than the overall sound reproduced "sounds good."

Are there more then this as two distincly different camps?

We favor the real is good and not real is not good philosophy.

Some people who talk about Musicaility complain when a sytem sounds bright with bright music.

In our viewpoint if for example you go to a Wedding with a Live band full of brass instruments like horns, trumpts etc it hurts your ears, shouldn’t you want your system to sound like a mirror of what is really there? Isn’t the idea to bring you back to the recording itself?

Please discuss, you can cite examples of products or systems but keep to the topic of sound and nothing else.

Dave and Troy
Audio Doctor NJ
128x128audiotroy

Showing 1 response by french_fries

SEVERAL folks here have got it right, esp.geoffkait.  I listened to Pioneer receivers playing Stevie Wonder vinyl back in college and it sounded great.  Few people back then had better systems then that- tube lovers I would imagine with speakers no one had ever heard of.  Now we have many more sources with different engineering involved before you even consider playback, And things are moving so fast that some have very advanced technology in use while i still hang on to my cassette deck to listen to an occasional tape.  Was sound in the 60's inferior when i rocked out to the 1st Led Zeppelin album?  I had a BSR turntable for Pete's sake, but it still made me VERY happy.  
    My system now makes Mozart sound just right, so I don't even care if LZ-1 sounds OK or not.  SO what camp do you put me in?  Everything has changed and been transformed from one "idea" of a sound system to another (actually many "others").   "Accuracy" is the 1st principle of sound reproduction, but that goes for the entire chain from the note in the studio to the note as it strikes your ear at home.  So "compromise" would then be the 2nd principle- adapting as best we can to "what is" rather than to what is theoretically possible.