Two Sunfire Signature's wired together?

Line - you are a determined man on this one! Do you have two Sunfire Sigs?

Arthursmuck...I have one, two ch. Signiture; but i will saw this...i went from 200 watts per. ch., to 600 watts per. ch. and the difference in sound is obvious at all volume levels, but it could be the design difference of the two amps. and not the added power or both.

Here is the other review i found>
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Randy Bingham at Sunfire urged me to try a second Sunfire Signature Amp in a vertical bi-wire configuration. This means you use two Sunfire Signature Amps. Each is fed an unbalanced signal to the normal input then the lab input for left and right are bridged with a single (mono) interconnect. If you bi-wire or tri-wire your speakers as in the case of my reference Cello Stradivari Legends, you should connect the high/mid leads to the current output while using the voltage output for the bass leads. Got it? Good. Don't worry it took me a minute to figure out too.

The best way I can describe the change in sound is to make a car analogy. I drive a six-cylinder VW GTI. It meets my budget and my need for speed which is a nice tradeoff. The difference a second Sunfire Signature Amp made is like trading in your GTI in on a Porsche 911. The extra power elevates the music to a whole other emotional level. Yes, I know there is an extra $3000 plus an interconnect included in the price of this upgrade, however it is worth it. And who said you ever had to buy it all at once?

The sound of the vertical bi-wired Sunfire Signature Amps multiplied everything good about the sound of the amps. The best test for the effect of the second amp was using the new MCA remasters of Jimi Hendrix's Axis Bold as Love. On "Little Wing," Jimi's guitar floated in space, something I have heard in few systems. The power of these amps was frightening. I don't believe in inefficient loudspeakers. I like my Cello's, WATT's and Puppies and even slightly less efficient transducers like THIELs and Martin Logans, yet these Sunfire Signature Amps feel like they can drive any difficult load from Apogee Grands to a Lincoln Town Car.
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O.K., I'll believe you, even though it makes little empirical sense to me. I've been around enough audio circles to believe many of the experiences of good listeners over what seems it should make sense. Any ideas about mixing/matching one Sunfire amp w. another amp of a different manuafacturer in a horizontal biamp configuration?

I have two bridged Sunfire Amps which I used to drive the the four 12" woofers in the bass towers for my old Infinity Betas (circa 80s). I used Counterpoint Natural Progrssion Mono Blocks to drive the remaining drivers in the HF/mid panels--all EMIT ribbons including the most awesome midbass ribon panels. The bass was crossed over at 80 hz 18 db per octive.

Even though the Counterpoints only put out 150 watts per, they were far and away the highest current amps on the market and they literally made all the ribbons including the dificult midbass ribbons sing. Pure magic. The combination was absolutely the best sound I'd ever heard from a stereo system.. A doctor friend of mine who owned the Infinity IRS $175,000 reference system which was driven by a Jadis Defy 7 on top and the 1000 watts per mono amps built in Infinity amps for thre 6 12" woofers in each bass tower came over to compare sounds based on memory. Less than an hour into the listening session he literally started to cry. His girlfriend asked him what was wrong and hew said he'd wasted all that money and the Betas driven by that combination (and an Audio Research LS-2a mark II preamp) literally blew his $200,000+ investment away.

Alas, my then wife (now ex) sold the Betas out from under me after conning me into joining her brother on the links for a liesurely round of golf one saturday and the dream was shattered.

Ironically, I now own Carver ALS speakers with two 32" verticcal ribbons each reaching way down into the 100s hertz-wize and 4 12" woofers complementing the ribbons on both speakers. I'm going to have to reconfigure the speakers for bi-amping. The Counterpoints sound very good driving them full range, but they really can't handle all the power guzzling and wildly unstable loads if you want to play transients at sound levels that I'm used to but my new wife complains about. I can't use the bridged Sunfires or I'll undoubtedly blow them trying to drive a load which is supposedly 3.75 ohms (but probably closer to 3 ohms realistically);

Now I'll have to unbridge them and biamp vertically. *@*

It'll be awesome!

Lawdog, Let us know how it turns out.