Turntable Mats: Rubber, Felt or Cork.


I have a Linn Basik Turntable with an Akito tonearm and Rega Exacta 2 cartridge. Would one expect a noticeable sonic difference when changing from a felt mat to a rubber and cork mat?
joscow

Showing 2 responses by atmasphere

So atmasphere, the obvious question for us non-scientists.  What material(s) have the same, or very similar, hardness as a typical vinyl LP?
I'm not a fan of acrylic, but it can be made to have a similar hardness as vinyl. An LP would do nicely but does not have damping ability owing to its mass. I've thought a great deal about building a mat that has an aluminum or stainless substrate imbedded in the vinyl, as a means of stiffening it and making the whole thing more dead.
Here are the mechanical requirements for a good mat:
It must have the same hardness (durometer) as the LP, so vibration from the LP can be absorbed (without reflection) and converted to heat. To this end it will affect tonality if too hard or too soft.

It must support the LP properly, at the vinyl depresses at the location of the stylus where the pressure is extreme.

It should also be effective at damping the platter! When the stylus tracks the groove, the vinyl can 'talk back' which is why it has to be controlled. But the platter can editorialize too, due to room-borne vibration. It has to be dead.


If the platter pad is working correctly, you may notice that with the volume off the stylus tracking in the groove is silent.


This is a lot to do- but the results of this are obvious- a properly designed platter pad can cause a cheap turntable to have better tonality than an expensive one. The platter pad is a critical part of LP playback!