Personally, I’ve never had a solid state phono stage that satisfied me. But admittedly, I have not tried many: a 2-box Trichord Delphini 25 years ago, which was left in the dust by a succession of tube phonos; and recently, a MoFi MasterPhono bought mostly for its current drive. But it did not have the holography and palpability of image (along with excellent dynamics) that I prefer, and which are characteristic of good tube phonos, so I sent it back. I do plan to try the Channel D Lino 3.3 soon, another SS current drive. We’ll see. Return policies are a godsend.
I should add that my tube phonos—and most on the market—incorporate step up transformers, adding gain for LOMCs without extra noise. I’ve never owned an all-tube phono stage but I’ve heard a few.
if you’re looking for a tube-based phono with superb dynamics, I can recommend the Manley Steelhead. When I owned it, I thought that was its forte. Along with great flexibility.