tube magic with digital source?


Is the "magic" of tube amplification more pronounced when listening to an analog source as opposed to a digital source?

It's been a long time since I have listened to either vinyl or tube amplification. Currently I listen to Tidal and Qobuz exclusively, through a Lyngdorf TDAI-3400. I sometimes take analog out of the Lyngdorf into my Pass XA30.5 if I want to try to coax a little more warmth out of the sound. But as good as the Pass, which I have had for several years, is, it doesn't sound that different from the Lyngdorf's amp on the vast majority of recordings. That surprised me a lot when I first got the Lyngdorf. 

What I am wondering is, is a high quality tube amp as likely to present as much of that subtle (or not so subtle) holographic magic if the source is digital?

jaybarnett

Showing 2 responses by jjss49

obviously tubes in audio gear existed prior to solid state amplification being invented and commercialized

with the advent of solid state amplification as well as the advent of cd’s as a format, the sound produced by high end audio systems went from warm and rolled off using tube gear (and lp’s or fm as the source), to very extended top to bottom but often with an added harshness and a thinned out /flattened midrange and midbass in solid state/cd driven systems

these two sound profiles are fundamentally synergistic - as the one school compensates for the weaknesses of the other, and if gear from both schools are combined intelligently in a system chain then you can get the best of both worlds

the ’tubes in dacs’ discussion is a microcosm of the above historical mega-shift in high end hifi audio over the past several decades

it works, but as always, it depends on skill in implementation, knowledge of what works with what, and of course, the type/flavor of sound one is aiming for in their system