Try a different turntable?


Ever since getting into audio, I've owned a VPI turntable (HW19 upgraded with heavier platter, SAMA, JMW arm). It sounds good, without question. But I've been curious about other TTs that (folks say) come from a different design philosophy--Linn and Rega are often mentioned in this connection.

For the next two years, I am in the fortunate position of having two stereo systems; then I will retire and consolidate into one house and one system. I've set up my second system except for vinyl. What 'table/arm combos would folks recommend as an alternative to the VPI (at about the same price)? Ideally also it would be a tad smaller than the big VPIs since I have less space in the retirement home.

I listen to a little of everything, but like acoustic music (classical, folk, jazz) best, and am looking for a setup that will really connect with the music.

Thanks for suggestions!
magister

Showing 6 responses by lewm

Lenco, Garrard, direct drive (best of the Denon, Sony, Pioneer, Yamaha, Kenwood, Technics, etc). Try something REALLY different, and you won't go back to belt-drive. Life is short.
Dear Magister, I am not so dogmatic as some of the others re direct- and idler-drive turntables vs belt-drive ones. I merely suggest that you try one of the other two species to go along with your VPI, if you want something really different from what you already own. IMO, there are many belt-drive turntables worthy of admiration. The nice thing is that if you are less than satisfied, you can usually recoup your investment in a vintage tt. But if you buy a quality dd or idler set-up, I don't think you will be re-selling in the near future post-purchase.
Dear Mickeyf, With reference to your post up the page wherein you assert that the "motor is solidly coupled to the platter" in a direct-drive design and infer that this is a problem, I urge you to remove the platter from a high quality direct drive turntable and really think about what is going on. The platter is riding on the spindle suspended on a bearing, just exactly as it does in a belt-drive turntable. The stator or magnet part of the motor is actually part of the inert platter itself or is firmly mated to it. The rotor or coils surround the base of the spindle but make no contact with it at all. In sum, the drive system has no motion independent of that of the platter, and there is no physical contact between the two drive elements. Please tell me how this is worse than the design of a belt-drive turntable, where in addition to the platter riding on spindle/bearing, we have a belt that in theory can transmit vibrations of a much higher rpm motor to the rim of the platter. (Another advantage of dd is the slower-rotating motor, which can therefore also be quieter than that of a belt-drive.) I don't say that this proves dd is better than bd, but I do say that somewhere along the way a myth has been created re there being a problem with the proximity of the motor to the spindle. I think the myth took root back in the late 80s, when manufacturers started to sell us on belt-drive over dd.
Mickeyf, It must be nice to know stuff without actually experiencing it. You can get a job in the circus. I know this is a waste of my time, but please tell me how and why a belt-drive turntable motor is immune to cogging, whereas it is a major bugaboo only of direct-drive (and I suppose idler-drive turntables too, since you seem to know all about them as well). And if you think direct-drive turntables are disappearing as a class (at a faster rate than belt-drives), you are mistaken. I don't think Goldmund has made ANY turntable for years save for a revival of their megabuck Reference, so that is not a good example of a trend. However, visit Teres, Brinkmann, or Steve Dobbins' websites for evidence of new and high quality dd's. Plus note that Teres and VPI (as you do mention) are heavily emphasizing the rim drive option vs their standard belt-drive products. Also take a look at the many rim/idler drive turntables now made by TTWeights. Report back after you have actually auditioned the KAB 1200.
It's really a matter of one's personal taste in music reproduction, ancillary equipment, etc. I certainly agree that any of the 3 technologies can be made to sound very good such that there will be some among us who prefer any one of the 3 over the other 2. Funny you should mention the LP12. I heard one at RMAF. It caught my attention because I turned to it to see if I was listening to a Lenco. It has the good qualities of a Lenco in an effective plinth, but the properly set up Lenco might give a bit more of what I like. Still, the LP12 sounded very good.
Mickeyf, I apologize if I sounded a bit harsh. However, we can move on. I am well aware of the theoretical issues you bring up. That's why listening and forming one's own opinion based on actual observation is so important. Between the cogging at a higher rate and the disadvantages of the belt itself (stretching, creeping, slippage), some others would make an argument based on "theory" that the belt drive technology is also inherently flawed. All I and others are saying in response to your assertions is have a listen to one of these other types of tables. I know too many dyed in the wool audiophiles (other than me) who have ditched their high end belt-drive tables in favor of an idler or a direct-drive to be convinced by your hypothetical arguments.