To Harbeth or not to Harbeth, That is the question...


Whether it is nobler in the ear when listening primarily to vocals and acoustic music at 55-65db max?

Whether the 30.2 or the HL5+ produces the most magical sound in a mid sized room?

These are my questions.  

I like British Speakers. Not really sure why. Respect for the the duration of their businesses?
The uppity nature of some of the makers? I enjoy the sound of Tannoy, Harbeth, Graham, ProAc, ATC.

So Friends, Romans, Harbethians please share with me you HB experiences as it relates to low volume
listening. And please explain your passion for black screw heads. 


chorus

Showing 1 response by akg_ca

I moved my discrete high-end “ A” system out of my audio and HT man-cave into a smaller and more intimate listening arena in my FR. ( 17.5’ x 12.5’)
New HARBETHs simply excelled , especially in the critical midrange.

Your bespoke listening arena size, your associated equipment, and the listening arena bespoke acoustic warts will dictate which model will present itself as best-of-breed.

For me, it was the new HARBETH 30.2 XD’s, paired up to a REGA OSIRIS integrated / REGA ISIS VALVE cdp/Dac. My high-end floorstanders had to go - the 30.2’s simply bested them in my new digs … full stop.
Low-level listening levels is superb.

Neither I nor my dealer buy into drinking Alan Shaw’s KoolAid that preaches his universal agnosticism that amps and cables don’t matter with HARBETHs.
I had an all NORDOST FREY cables loom that still sounded great. After auditioning a new-to-me CARDAS CLEAR array, it was another drain on my wallet for that upgrade ..,.The HARBETHs opened up to a higher level, the difference was not subtle. . Of course it is all system dependent - for me the cables mattered.
FWIW

PS

(1) Go with the new model XD’s… the design and build improvements are well worth the $$. . I had the older model 30.1s in a direct bakeoff and it was an easy choice,
(2) the HARBETH recommendation that open-form speaker stands matter is spot-on. They permit the thin-walled HARBETHs to resonate like a violin. I had a local pro high-end woodworker clone the recommended TonTrager speaker stands for ~ 25% of their dealer cost. The audio performance improvement was clear and unambiguous… my prior steel heavyweight TARGETS are now gonzo too.