2. amps-preamps
  3. 1042230814

Time for a total system upgrade

Hello Audiogon members! I never imagined a site like this existed! Who ever put it together should be appropriately rewarded! Let me introduce myself: I’ve enjoyed music all of my life, played trumpet for about 10 years, and have listened to quite a bit of live music. During college, of all times, I discovered “audiophile” equipment and so began the affliction! Now, after a long hiatus from serious investment in listening equipment – career changes and finally Grad school – it’s time to update the system. Quite honestly, I’m kind of giddy about finally having some money to spend on the sound system. After all, it’s probably a better investment than my 401K! But let’s not open that wound… Let me start by listing the current components (please, no laughing!):

Audible Illusions Modulus 2B preamp
Superphon DM200 dual mono power amp
Sony DVD/CD player – moderate quality, non-progressive
AR turntable and arm – unmodified
Benz Micro cartridge
Techniques Tuner – el cheapo
Various Monster interconnects
NHT 1.5 with stands
Phase sub woofer

Here’s what I’d like to do: update the 2-channel system and add home theater. I realize this will necessitate certain trade-offs at the outset. Would like to keep a dedicated 2-channel system that can run through an analogue bypass in the HT pre/pro. The ratio of music to HT is about 50-50. Music includes classical, jazz, Black gospel choirs (wife), female vocals and some contemporary stuff. Here’s the budget so far, but I’ve got some wriggle room if really justified:

Multi-channel power amp - $1500 (used or demo)
HT Pre/Pro - $1500 (used or demo) must have component video out
Progressive DVD/CD - $800 (new, used or demo)
Main speakers (for now, NHT’s move to the rear for 5.1) - $1500 – 2000
Center channel speaker - $500
Update the Tube pre - $1200 (used or demo)

What has worked with the current system: soundstage, some detail and transparency, good volume capability without any listener fatigue. What it lacks: bass that’s integrated and not tubby, more detail and transparency, 5.1 capabilities. I’ve come to enjoy, perhaps prefer, the tube sound for a pre, but still want the power and transient response of the SS amp. Here’s what I’ve listened to so far:

Rotel RMP 1075, 1095, RSP 1066, RDV 1080
Anthem MCA20, Anthem AVM20
Classe stuff, but out of the budget
Sony DVP S9000ES
B&W 604 series, CDM9NT’s
Paradigm Studio 40’s and 100 v.2

Also considering:
B&K Reference 30
B&K 7250
Anthem AVM2
Anthem MCA 50
New tube preamp? (Anything from Audio Research, Conrad Johnson, etc)
Energy Veritas 2.3 speakers

So here’s the subjective part. And believe me, I know these are just my very uninformed opinions. One significant thing I’ve noticed so far is listener fatigue, something I’ve never before experienced. This occurs after several hours of critical listening in dedicated rooms. Don’t know if this is the SS preamp, speakers or what. Whatever the case, I can’t imagine investing in new gear that’s fatiguing. In terms of music reproduction, the B&W 600’s were quickly eliminated. The CDM 9nt had very good detail and transparency, but lacked a solid bottom end. The Paradigm 100 v.2 had a tremendous bottom end, almost too much, but sounded rather veiled when compared to the CDM 9nt (same electronics). Have thought of using the CDM 1NT for the mid and high detail in combination with a pair of good subs to drive the bottom end.

What are your thoughts and recommendations on the new system? Rather than a 5-channel amp, would it make any sense to add 2-channel and 3-channel amps to preserve a dedicated 2-channel system? BTW, sorry for the HUGE post. Thank you very much for taking the time to read and respond!
horn_blower
kurtisk
7 posts
 
Are you looking for a buyer for for your superphon amp?

I have used the rotel (RMB 985 5X100) and anthem (MCA-2 200X2) amps. The rotel has much more authoratative bass, drums and sound effects are more noticeable and punchy. The anthem has clearer, more distinct highs and mids. However, since I upgraded my cables to Stan Warren pieces, these amps sound much more similar than different, and both sound significantly better.

For preamp I use a Rotel RSP 976 which is only 5.1 and does not have all the latest surround sound modes. This does not bother me because I don't want to buy and mount more speakers and pay for amp power and cables to drive them. The 5.1 gear is much cheaper than the 7.1 gear.

For speakers I use magnepans. MG-III's up front, MGCC1 for center, and MMG's for rears. Many don't think the maggies do bass as well as box. Maybe...but I don't have any complaints. Besides the Sunfire TrueSub Mk IV with 2700 watts will give you all the clean, tight bass you want. I would look for the MGCC2 instead of the series 1 because it is supposed to do male voices much better.

Also, my persective about HT is that most any good quality gear is good enough. How "real" does the sound need to be given that most of the sounds are not real anyway? How believable does the sound need to be when the movies themselves are not believable? I find I can enjoy a movie on good systems without obsessing about the details of the reproductions. Yes, better is better, and usually more expensive and may be worth it if you care. HOWEVER, if you are planning to do multi-channel sound, then all channels deserve the same obsessive care as both-channels in 2-channel.
nighthawk
259 posts
 
Your speaker/amp combination will be the major determinant of the amount of listening fatigue you experience. My advice is listen to a lot of speakers, pick one, then find an amp that will drive them suitably. Since you seem to like speakers with a warm character, I'd recommend Soliloquy, Vandersteen, and Vienna Acoustics. Meadowlarks and ProAcs are also considered non-fatiguing but I haven't heard them. Basically, to minimize fatigue, chose speakers with soft dome tweeters instead of metal domes. If you chose a planar, like a Magnepan, your will need a high-current amplifier (a good idea anyway).

A lot of SS amps sound bright. You may need to spend more than you think to get a decent sounding one. It is hard to beat a used Rowland for the money.

Good idea to move the NHTs to the rears.

I recommend buying a mid-priced HT receiver, such as a Denon 3803, instead of an HT pre/pro. This eliminates your need for a multi-channel amp and gives you all the latest surround sound decoding formats. It also saves some money and allows you to spend more on the main speakers/amp combination where it will make the most difference in sound quality. The amps in the receiver are plenty good for HT duties. Use the amps in the receiver for the center and surrounds and power your mains with your power amp driven from the pre-outs of the receiver. Cardas Neutral Reference will work well for the IC from the receiver to the power amp (about $250 used). This cable is very neutral and non-fatiguing and is a great performer for the money. Use the DAC in the receiver as your source with the DVD player you already have as a transport.

This system will give you a baseline to build from. Live with it for a while before spending any more money. Try your pre-amp between the pre-outs of the receiver and the power amp. You may find you don't need a pre-amp. However, if you like the sound of the pre-amp in the circuit, you can use it for 2-channel and only use the receiver when you want to play movies. You'll need an external DAC or a CD player if you use a pre-amp.

Cabling can make or break a system. If you find the system is too bright, try some warm or warm/neutral cables such as Cardas, Audience, or Nirvana. Kimber tends to sound fast and neutral. Copper cables tend to sound warmer than silver ones. The Cable Co. has a rental program that lets you try out many types and applies your rental fee towards purchase.

You said you need component video connections on your HT pre/pro. You will get a little better picture if you connect your DVD player directly to your TV and only use the pre/pro for audio processing. That said, the Denon 3803 has component switching if you want to use it for convenience's sake.
conscious
8 posts
 
Looks like you've got some great advice so far. I would agree with almost all of what tsmack wrote. I think that the Paradigm studio's are great bang for the buck, but like you I find their midrange and treble slightly veiled. Also, I have done a fair bit of auditioning lately and regardless of the equipment, I have found the experience fatiguing after about 1.5 hours. I think, I am listening so intently that it doesn't matter how the system is, I'm still going to be tired. With some bright systems, I find it hard to listen to right away, so I don't even make it past the first few tunes.

I would also agree with Kurtisk. I have experienced many HT systems and don't find that it is as critical too my enjoyment of the experience to have the biggest baddest. On the other hand, 2 channel music needs that extra bit. I decided to build a seperate 2 channel system because I didn't want to compromise it with more electronics in the way and a huge reflector between my speakers messing with the soundstage. If that's not possible, I would buy the best mains and subwoofer you can and then see if you think you need a centre and surround speakers. Since moving to a new house, I haven't hooked up my surrounds and have not yet missed it.

I echo the suggestion of a cheap DVD player. You can get a sub $200 player with DCDI that looks great. Add a good DAC and you've got some serious 2 channel, which IMO would best any of the DVD players for under a grand.

Good luck!
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