Dear @mswale,
I don’t know what the cartridge system (i.e. cartridge plus power source for the condenser mikes), goes for in the US. You might want to contact the importer. While in Japan, Sawada-san sold me his personal unit from his turntable for ¥500,000 ($3,343). I guess, it would be about $5,000 stateside.
How has it been working for me? Well, after first installation, I noticed pretty pronounced "rumble" leaving my subs (Linkwitz 521.4 actives) "pumping". I had my old and trusted KAB "Great Sounds Escorts" in-line rumble filter at hand, and after installing it between the MEMS power base and my preamp, the "rumbling" completely disappeared, yet leaving me with profound, well-delineated and extra-dry bass, the way I like it (I hate "boom"). Otherwise the cartridge has been amazing, especially in the treble, where it is crystal clear without the slightest "screeching". Until then I used the new ART-1000 cartridge from AT, because I always wanted to listen to a Neumann design, where the coil is mounted directly above the stylus, eliminating any potential distortions from the cantilever movement (cf.: https://www.stereophile.com/content/listening-157-0). That cartridge was really convincing in its "punch" and vividness, making me sell my beloved Benz Micro LPS-Ebony. I have not yet made a direct comparison between the MEMS and the ART-1000: this will happen when the new head shell for my ViV tonearm arrives next week (btw: best tonearm ever!). For now, at least to my ears, the MEMS sounds completely "absent" from the music, and yet produces a wide-open sound stage, while the ART-1000 - also with huge soundstage - seems to add some sparkle and "oomph". As a scientist, I prefer the un-altered presentation of the MEMS.