time-aligned speakers: stepped fronts vs. sloping fronts


Let me first say my understanding of these things is rudimentary.

But I was thinking about manufacturers who used stepped back fronts (several vertical planes) to achieve so-called time-alignment, vs. those who slope back the whole front baffle at a certain angle/rake.

Thinking about, for instance, the tweeter driver mounted on a sloped baffle, won't its axis of radiation be shooting at a corresponding angle upward, meaning that a listener located directly in front of the speaker and with ears at tweeter height would already be listening off-axis?  Or am I missing something?  Or is that the point?

twoleftears

Showing 2 responses by bdp24

@jaytor, you’re gonna love the OB/Dipole Sub! I installed mine in a pair of W-frames I had, but one of the contributors to the GR Research Forum on AudioCircle (a woodworker) is making a really good H-frame and selling it for a reasonable price ($600/pr, I believe), cut out of 1.5" thick MDF on a CNC machine. The frames are shipped as flat packs; the panels having rabbets cut into them, along with alignment dowel pins, making assembly relatively easy. The only tools required are wood glue and a few clamps. Paint or veneer to taste

The world’s only OB/Dipole sub with servo-feedback woofers (the Rythmik system)---State Of The Art bass! No fat, no box resonance, no overhang---"stop-on-a-dime" transient response. Lean and clean, it reproduces upright bass, piano lower registers, and my Gretsch 24" bass drum (recorded by myself with a pair of small diaphragm condenser mics straight into a Revox A77) like nothing else I’ve heard.

Watch the series of videos posted by Dannie Richie of GR Research on You Tube (actually, the videos are made by Danny and posted by Ron of New Record Day). Danny is a speaker designer who does a lot of cross-over work for other companies, and offers his own DIY speaker kits.

Anyway, on the videos Danny explains in great detail the questions involved in the arrival times from multiple drivers, how different x/o slopes are used to get the drivers in phase with each other (where their outputs combine, rather than cancel) over as wide a frequency range as possible. The off-axis response of each driver is a major consideration in all loudspeaker design. If the off-axis response of a speaker is significantly different from it’s on-axis response, the sidewall, ceiling, and floor reflections will sound like another, different sounding loudspeaker (one defined by the off-axis response) is playing along with the direct sound of the real one. Not good.

The idea that time aligned drivers and 1st-order crossovers automatically great a great loudspeaker, and that in and of itself is all that is required, is an over-simplification of a complex situation. Watch the videos; Danny explains it all in a way that technically-unschooled audiophiles/music lovers can easily understand