... thoughts on Taylor Swift's REPUTATION CD...


Hello to all... Am wondering how other audiophile folks who critically listen to music as coordinated recorded sounds access the newest offering from Taylor Swift.

PLEASE DO NOT COMMENT IF YOU HAVE NOT YET HEARD THE CD IN ITS ENTIRETY.
AND PLEASE LIMIT COMMENTS WITH REGARDS TO SOUND - NOT ALL THE OTHER STUFF (looks, dating, etc) 

I find the recording fairly well done: abit thumpy throughout (which seems to be the trend in pop/indie music for the masses), but highly divergent in tones, dynamics, and harmonies. Deep and wide soundstage... Most vocals (within my system) are believeable (for the most part) but sometimes muddy up at the complicated refrains with several overdubs of her voice...

I think this is a good stereo test recording. YOUR THOUGHTS APPRECIATED...
justvintagestuff

Showing 3 responses by mapman

Most newer "improved" pop/rock remasters on CD are mastered louder than the originals. So which approach in general is better? You would think the answer is obvious. The thing is when people shell out more money for the same stuff, they want to hear a noticeable difference and radical digital remastering in various forms is a means to that end. Beyond just being mixed louder usually, you often just might hear things you may not have heard before.
Actually the average dynamic range measure of 10 for that recording is better than average. Regardless, no one measure including dynamic range alone is a reliable indictor of whether a recording will sound good to someone or not. I’ve heard some metal recordings on the very low end of that scale like the CD release of Death Magnetic by Metallica that deliver quite well for The genre but only if the system is up to snuff and can play loud without clipping and adding distortion.