the sound of massed violins in classical orchestral recordings


why do massed violins have this sort of gritty sandpapery reverberation in classical orchestral recordings?even in some sections of a piece, when the violins are playing softly in the background, you hear that gritty overtone more than the melody.when I listen to the Houston symphony in Jones Hall,sitting fourth row, facing the violin section, I don't hear that sound.I have three systems { two of them mid-fi ] and I hear the same thing-even with headphones.in all instances, the other parts of the orchestra are clear.  my main system : Vanalistine Trancendence 10 tube preamp,a 35 year old solid state Proton D1200 amp, [have tried NAD,Project, Musical Fidelity amps--they don't sound any better],Onkyo dx7555 CD player [Stereophile class B],and Project Carbon turntable with Grado Black 2 cartridge [ the Ortophon Red was too bright ] through Magnepan MG12/QR speakers.Tried a highly regarded Elac speaker--no change as far as the violins go, but way inferior to those dramatic Maggies.So, there you have it. Is it the equipment? Is the state of the art not up to recording violins? Is it me? [its o.k.-I can take it}. In closing,a couple of years ago,I had phone conversation with a well known person associated with a major speaker company about this. His response :[ paraphrased ] Violins are a problem--don't like 'em.  Any input will be appreciated. Thanks.
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Showing 1 response by tomaswv

Very interesting discussion.  I have been listening to what I think are the best massed string recordingI have come across:  The Cleveland Orchestra’s A New Century boxed set. Disc 1 has a string orchestra arrangement of Beethoven’s string quartet No. 15 that is extremely well recorded. As is the entire three disc set—at $50 an absolute bargain: 3 SACDs, a code for 24/96 hi-res downloads, and A lavish 180 page book.  
I used to find mass strings to be hashy on a couple  of recordings of The Lark Ascending.  These same recordings sound much better now.  Can’t pinpoint the reason but three things come to mind: upgraded power cables in my sources (Nordost Vishnu’s and now Morrow MAP3s), more powerful amp (Bel Canto Ref 500m), and IsoAcoustic Gaia feet under my speakers (Dali Mentor 6s).