the sound of massed violins in classical orchestral recordings


why do massed violins have this sort of gritty sandpapery reverberation in classical orchestral recordings?even in some sections of a piece, when the violins are playing softly in the background, you hear that gritty overtone more than the melody.when I listen to the Houston symphony in Jones Hall,sitting fourth row, facing the violin section, I don't hear that sound.I have three systems { two of them mid-fi ] and I hear the same thing-even with headphones.in all instances, the other parts of the orchestra are clear.  my main system : Vanalistine Trancendence 10 tube preamp,a 35 year old solid state Proton D1200 amp, [have tried NAD,Project, Musical Fidelity amps--they don't sound any better],Onkyo dx7555 CD player [Stereophile class B],and Project Carbon turntable with Grado Black 2 cartridge [ the Ortophon Red was too bright ] through Magnepan MG12/QR speakers.Tried a highly regarded Elac speaker--no change as far as the violins go, but way inferior to those dramatic Maggies.So, there you have it. Is it the equipment? Is the state of the art not up to recording violins? Is it me? [its o.k.-I can take it}. In closing,a couple of years ago,I had phone conversation with a well known person associated with a major speaker company about this. His response :[ paraphrased ] Violins are a problem--don't like 'em.  Any input will be appreciated. Thanks.
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Showing 1 response by nordicnorm

I’m a musician (trumpet) who plays in an orchestra (well, not at the moment actually - sniff!).

I too struggled with building a sound system that could handle the challenges of classical music.

I didn’t achieve that until two things happened:

1. I acquired a pair of hybrid electrostatics (Martin Logan Spires), and
2. I powered them with 600W monoblocks (70’s era Soundcraftsmen)

I should add that I rarely listen to anything beyond the first two notches on the preamp's volume dial.

Classical music has to be one of the most challenging genres of music for any system to reproduce. Therefore, if it wasn’t recorded well from the start, no system will be able to make up for that. I look for recordings by Telarc, RCA Living Stereo, Decca, Deutsche Grammophon and Sony. I am rarely, if ever, disappointed in their recordings (the conductor maybe, the recording - no).

And I disagree with those who claim that *any* speaker can faithfully reproduce classical music recordings. That has not been my experience.

YMMV.