The problem with the music


There are lots of people who frequent this site that have spent significant amounts of money to buy the gear that they use to reproduce their music. I would never suggest that you should not have done that, but I wonder if the music industry is not working against you, or at least, not with you.

For the most part studios are using expensive gear to record with, but is it really all that good? Do the people doing the recording have good systems that can reproduce soundstage, detail and all the other things that audiophiles desire, or do they even care about playback?

I know there are labels that are sympathetic to our obsessions, but does Sony/Columbia, Mercury, or RCA etc. give a rats #$%&@ about what we want?

Recordings (digital) have gotten a lot better since the garbage released in the mid 80's. Some of them are even listenable! BUT lots of people are spending lots of money to get great music when the studios don't seem that interested in doing good recordings. Mike Large, director of operations for Real Worl Studios said "The aim of the music is to connect with you on an emotional level; and I'd be prepared to bet that the system you have at home does that better than any of the systems we make records on."

Do recording engineers even care about relating the emotion of the music, or are they just concerned about the mechanics?

What do you think, and can/ should anything be done about it?
nrchy

Showing 1 response by array1138

I wholeheartedly agree with your assessment of the recording industry's lack of interest in the ultimate quality of the recording, they are simply in it for the money. I submit as evidence the lack of variety in artistic output (this is a VERY diplomatic way of saying that I think most new music SUCKS!.
There will be defenders of the industry as a whole, but all they can really do is mention the exceptions to the rule. Sure there are many engineers, and some company owners who care about the product, but the majors are driven by the mighty dollar, and the vagaries of bottom line minded stockholders.
Thankfully, we have each other. For feedback regarding new music, recordings of merit, and fine performances, I would be lost without the wealth of information I garner from the friends I have made in the field, meaning you all. I take this opportunity to thank you all for your priceless opinions about gear and recordings. It is the only information I rely on for purchasing new music - I read all I can, talk to people, pick their brains, and finally make up my own mind about purchases. My stongest influence is the opinion of people whose taste and integrity I respect. I am certain thal I am not alone in this.
In the final analysis, the best we have is each other.
Thank You,
Ray