Currently, I’m running a BAT 225se power amp, BAT VK-33 preamp, Denon DCD-A110 CD/SACD player, and Joseph Audio Pulsars (non-graphene). I really dig the sound. A modest, but excellent sounding rig. There are systems better than mine, no doubt. However, after attending many audio shows, I haven’t gotten to the point where I want to trash my system and start over. I have found that once you have really good components (but not necessarily super-expensive ones), it then comes down to buying excellent quality recordings that are mastered well ... the Devil, many times, is in the mastering.
The Horror
After getting back home from “The Show” in Costa Mesa, California this past weekend, I walked over to my stereo system and turned it on. And silently wept. I had held out a feint hope that my cross-over modified 1.7i Maggies and mighty Parasound A21+, fed from a Prima Luna 300 tube preamplifier could somehow manage a slight shimmer of resemblance to the robust setups I witnessed at the SHOW. Not—- on— your —-life. Not even close. I slumped into my over-stuffed couch and stared long and hard at the thing I created: an anemic concoction of false hopes and wishful thinking. The horror, the truth: entry into serious audiophile listening begins with purchase of speakers that cost the price of the car I had to finance for 4 years, closely followed with the added expense of beefy sophisticated electronics and wiring, not a gaggle of cheap wanna-be plastic and tweeks. I so wanted to belong, but that’s turned out to be just a fever dream I’ve got to wake up from. Maybe one day, if ever I have the nerve to rob a bank, find Jimmy Hoffa, or survive a head-on collision from a sleepy Amazon driver, I might make it. Maybe. Feel free to play the violin with two fingers.