The dangerous world of Reel-to-Reel Tape


It feels like I re-entered the world of tape knowing full well of all the downsides, yet I  did it anyway.  I spent much of my youth glued to my dad's decks, making recordings.  As cassette and digital came of age, I always appreciated the sound of tape. 

Whether this adventure is worth it is a subjective exercise.  For folks who plop down $500-$1k on cables or those who swap gear often, tape is really not that expensive, relatively speaking.  Titles are limited though. 

The sound quality and experience is quite something.  Before jumping back into R2R, I had 4 versions of Muddy Waters' Folksinger.  Hearing Chad Kasem's firm's work on it in 15ips it's just something else.  Body, size, and presence are just different than very good vinyl and digital.  And this is with the stock reproduce board from a Revox PR99 MKIII. I can only imagine what's going to happen when I rebuild that card, put in a modern one, or run directly from the head out to a preamp. 

Maybe I'll see some of you in R2R Rehab, where I'll try to get sober from tape. 

128x128jbhiller

Showing 1 response by feldmen4

You all are making me want to get my old R2R serviced and added to my system. It’s nothing special, but I still remember how amazed I was that my recording of Working Man’s Dead and other recordings sounded better than the vinyl I recorded them from. Being analytical that never made sense to me - but my ears knew it was true. I hooked up the deck a couple years ago and one of the channels had major issues.  I think it’s time to find someone that can get it back up to speed.  Hope to see you all in rehab. 
 

Matt