Some really contrarian views regarding sonic reality in this discussion. Generally it’s assumed that we should attempt to reproduce the “real thing.” But, I agree, that is not practical or possible considering all the variables involved (such as position in the hall, microphone placement and the like. I believe what a recording should portray is an approximation of the sound that comes closest to the experience of the listener in the hall. That is not necessarily what the microphones reproduce considering the above factors.
The best reference is live music
For those of you who love classical music and care about imaging in your audio system, I recommend that you check out a San Francisco area group called Voices of Music.
They video record all of their performances and have most all of it on YouTube and free to access. They are extremely well engineered recordings and more than worthy for the very finest audio systems. What makes these recordings especially *useful*, as well as enjoyable, is that being video, you can see where all of the musicians are. The best reference in audio is live performance. Does your system do an honest job of recreating the live performance? Does your system give an image that at all matches what you see on the video?
Beyond this issue, Voices of Music is worthy to experience because they are very different from the large symphonic performances that most classical listeners hear. Instead of the SF Symphony with 100 musicians, Voices of Music will typically have about 8 to 12 players. There are some larger ensembles and some smaller.
They are an "early music" ensemble. Just as rock 'n roll evolved from the early 1950's to what we have today, what we call classical music evolved as well. The instruments evolved too. A 19th century violin (what the musicians call "modern") has a neck pulled back, has steel strings and is engineered to be louder than an 18th or 17th century violin, which has a straighter neck and gut strings. They are in fact, different instruments.
An 18th century instrument will articulate better. The bow is lighter and faster than a 19th century bow. Trumpets of that period had no valves. Neither did French horns. Flutes were typically wooden and had open holes. That period also had instruments completely absent from "modern" orchestras. If you haven't listened to a 1st rate early music ensemble, you're in for a totally new experience.