Tenor Hybrid v. VTL MB-450 Sig.


I am planning on replacing my VTLs with the Tenor stereo 150 hybrid . Since I will not be able to hear them first and since they are a substantial outlay over what my VTLs are worth, I am hoping that some of you may have heard both. Would you mind characterizing the differences that I should expect to hear? I have Merlin VSMMs, a First Sound preamp, and an Audio Logic 24mxl DAC. Other amps that I am considering are the Joule VZN-100s, or a CAT JL2. My pre-purchase buyers remorse is that they will be better but maybe not commensurate with the extra cost. I am aware of the higher cost/diminshing returns reality. However, from what I have read, these hybrids seem to be a huge step up. If I audition a piece and hear an improvement that meets my personal cost/benefit ratio, I buy it. So, with no personal experience with the Tenors, I am finding it is a bit difficult to make the leap to buy the most exp. piece of gear in my system. Any input you may have is greatly appreciated. By the way, JTinn and I have had several conversations about this subject. He had been very helpful and generous with his time. In this post, I am looking for more of a comsumer point of view.
brooksl

Showing 3 responses by rhyno

i may as well chime in here:

as a former owner of VSM-Ms and good friend of rcrump, he heard my merlin-based setup many times and saw it evolve from decent to good to great. but the inherent limitations of the design remain---and that is what he took issue with, and incidentally that is why i sold them. they are, after all, a 2-way, and cannot do BIG (and venue = big) properly. ---also, they don't like loud volumes, big listening rooms, or listeners above axis. within these constraints, they're wonderful. outside, and you get the suggestion for different speakers (with their own new limitations).

rest assured that my new SLs are not perfect, and there's many aspects of the merlins that i'd prefer over the SLs, they were that good (if ever i needed another 2-way, i'd buy merlins no question). but the SLs full range presentation and reproductive ease (with the right amp---no small chore finding it) are a nice change from the limits i associated with the merlins.

i agree with bob that a change in amp will not get venue from the merlins. a sub will. i know--i did this w/ entec LF20s and it filled in the bottom nicely. and like bob, i have to question the logic of trading one world-class amp for another...my guess is there's other system problems that would need addressed before upgrading a top 10 amp to another top 10 amp.

rhyno
traditional sub hookups are problematic, i admit. i had a custom passive x-over designed to roll off the merlins at 100hz at 6db/octave and let the subs come in there. coherence was not lost---i certainly couldn't hear the extra x-over, but i could hear lots more venue info per the subs...

with a sub, the merlins can play Big. but ask them to play loud and, as fremer noted in his stereophile review, their tonal balance skews towards edginess and some brightness. ---its not merlin's fault, every 2-way compresses when driven too loud. merlins do it less than most, but they compress at higher SPLs.

rhyno
brooksl

just contact first sound and ask them how to reduce the gain. they'll know.

bobby
good to know you resolved one of the only issues w/ your otherwise outstanding, overachieving speakers. within their limits, they were quite wonderful.

rhyno