Tekton DI's or Klipsch Forte III


Hello all, It's a pretty simple question, I currently have a set of Klipsch Forte III's driven with a Rogue Atlas Magnum II and Rogue HP-1 Pre. Like the Klipsch a lot but am getting the itch to try the Tekton DI's.

My question is to those that have heard both, are the DI's as dynamic as the F3's with better clarity and soundstage or am I better off to stay where I am?

Thanks

I know, I know, another Tekton discussion!
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Showing 2 responses by millercarbon

Right.

I noticed the YouTube thing quite by accident. Listening to a suggested video of a record being played first thing I noticed the sound was quite a bit different than the usual YouTube sound. Of course as we all know, its impossible for anyone to remember complex blah blah, sorry where was I? Oh yeah, so first I went and found a couple videos with the same music and yeah, sure enough, the vinyl sound comes through distinct from the CD sound even on a laptop. Huh.

So there's a channel Let There Be Sound and its all just records playing, only he lists the cartridge, phono stage, etc. Takes a while but listen to enough you get a sense for what character is in common even though the records are all different.

Now I know this is gonna be a hard sell what with most guys out there convinced you have to play the same old same old over and over again everything exactly the same.... sorry, not at all true. Oh it might be a good approach in the beginning when you can hardly hear at all, or when you're stuck in the rut of "no such thing as auditory memory" or whatever. But its a trap and a crutch. Get away from that as fast as you can!

This channel was fascinating especially because at the time I was already pretty keen on Koetsu and Herron, but unable to audition either one. Well this guy had the same Koetsu and the same Herron on different arms and tables, and then sometimes a different cartridge with the Herron and... well you get the picture. It was just like what you would do at home, only on-line. Only a matter of time and listening and I was able to get a pretty good handle on the sonic character of these components.

Then when I did get them home of course they sound nothing like they did on my laptop. And yet they did sound a lot like I expected them to, based on what I heard on the laptop.

In fact this is a really good exercise for anyone serious about becoming a good listener and building a really satisfying music system. Because the two go hand in hand. Never in my life have I met a guy with a great system who was also not a great listener. I doubt it ever happens. Money has very little to do with it. The better listener you are the better and faster you'll progress with your system. 

This is pretty much what Michael Fremer is doing, recording cartridges. And he is, I think we would all agree, a pretty good listener.
That's what I got out of it as well. 

Tekton's approach of minimizing mass by using lots of low mass small tweeters to do the job of one high mass midrange sure sounds like a winner. Its the exact same idea with moving coil, and the even better fixed coil moving iron approach is even better due mainly to its greatly reduced moving mass.

Really want to get my ears on one but for now all the reviews sure have me hopeful. Listening to YouTube on ear phones or even a laptop turns out not to be the joke you might think it would be. Listening to Koetsu and Herron on YouTube helped me pull the trigger, and lo and behold heard the same sonic traits in my room I'd heard first on-line. Okay maybe I'm just an exceptionally talented listener. Right. As if. 

Go on line, listen to the reviews AND how they sound, I think you will find something of the character of the speaker even with all the room and mic and everything else still manages to get through. Especially if you listen to a few with Tekton, and a few with Klipsch, after a while you should be able to figure it out.

All the Tektons I've heard on-line are similar in that they all project an incredibly real and full and lifelike midrange. Dynamics and everything else just seems to come across as not just really dynamic, but dynamic in a very free and natural way that makes everything else seem to have a hard edge by comparison.

Some guys like the hard edge. Confuse it with detail, is my opinion. Whatever. Point is you always go and listen. For yourself. Can't, in person? Then, on-line.