The build quality is unquestionable, very high level. The fact that they learn and borrow from esoteric makes UD-701N even more attractive. But still, I don't really understand why Stereophile, TAS and other magazines never reviewed a product by TEAC or Esoteric. There are tones of reviews from other DAC/Network Players like Topping, SMSL, Gustard, Denafrips, HoloAudio, Mytek, HIFI Rose but there almost none for TEAC and maybe few for Esoteric. Is it a bad marketing or, magazines are avoiding them for any(?) reason. I just don't get it.
TEAC UD-701 vs NT-505 vs ?
I stream Quboz and Tidal via a Bluesound Vault 2. Vault transmits to Parasound JC2 to modded A21 to Vandersteen Quatro CTs. (See my profile for complete description of system.) Happy, really very happy, with Vault 2 but it is likely best point at which to upgrade my system.
Considering TEAC NT-505 ($2K) and new TEAC DAC/streamer UD-701 ($4K), which has some very attractive features: in-house-built discrete Delta-Sigma DAC with FPGA circuity, dual-mono signal path, four separate power supplies... Have seen enthusiastic reviews for NT-505 from owners here. Only one review by Moon Audio out about UD-701, and they are not an uninterested party. Curious if any out there have heard UD-701?
Open to other suggestions, including used with roughly $6K price ceiling. See TMR has used Aurender A-10s for sale. Used PS Audio Direct Wave DAC with bridge is another consideration, although I have seen owners comment negatively about the bridge.
Not wed to DAC/streamer combo but that has appeal to me because it eliminates a box, connecter, and power cord, all of which add to cost and connector makes signal path less direct.
Also not wed to SS but a tube DAC appears to me to introduce an additional source of distortion into my otherwise SS system, so it will then be affected by both SS and tube distortion.
Thoughts?
Bosssound
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- 120 posts total
- 120 posts total